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October 14, 2021

 

The Lee family at the VVIP preview of the KIAF 2021

 

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Lee Byung Hun and Lee Min Jung brought their son Joon Hoo to the VVIP preview of the Korea International Art Fair 2021.  Joon Hoo is growing tall.   

 

Source:  IG of Liz_gallery 

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October 15, 2021.

 

Lee Byung Hun has stated to film the drama "Our Blues"  in Jeju Island.  

 

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Lee Byung Hun plays "Lee Dong Suk" a truck grocer.

 

Born in Jeju, his mother has a house but he does not wish to live with her.  He uses  a truck to carry vegetables and daily necessities to and from islands scattered around Jeju Island to make a living by doing business with the islanders.  He sleeps  in the truck at night.  People say that he is a naturally rude person.  What they do not know is that he also wants to live like an ordinary person, laugh, joke cheerfully, and be happy.

 

Source:  Weibo LBH Chinese fan.  

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October 16, 2021.

 

Announcement from the Asia Society

 

2021 U.S.- Asia Entertainment Summit Honorees

 

This year's U.S.-Asia Entertainment Summit will celebrate Asian and Asian American contributions to film and television, both creatively and philanthropically. Asia Society has long recognized the power of audiovisual storytelling in building bridges across cultures, and the Summit will recognize a group of honorees whose impact on the medium transcends national borders. We will honor both creatives and executives, beginning with trailblazing Netflix Head of Global TV Bela Bajaria, visionary director of Shang-Chi and the Legend of the Ten Rings Destin Daniel Cretton, and renowned South Korean actor Lee Byung-hun.

 

 

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Congratulations Byung-Hun-ssi!   

 

Source:  https://asiasociety.org/us-asia-entertainment-summit/2021-us-asia-entertainment-summit-honorees

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  • 2 weeks later...

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Lee Byung-hun and Lee Jung-jae from «Squid Game» fly to the United States.

 

The worldwide explosion of the original Netflix series «Squid Game» has put them in the spotlight as global stars, and on November 6, they will attend the Art + 2021 Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles County, in the United States, and Steven Spielberg.

Their presence was invited to join personalities from the Korean business world, and they reportedly attended the hyuk Dokdo of the «game of squid».
Lee Byung-hun and Lee Jung-jae were invited to the event “separately”. Especially in 2019, Lee Byung-hun Lee Jung-jae stepped on the red carpet for the event.

The LACMA Art + Film Gala has been held every year since 2011 to honour the generations of masters who have promoted the development of contemporary art and visual arts. Every year, Hollywood’s indoor stars attend and shine.

Meanwhile, LACMA will host this year’s gala with Amy Sherald, Kehinde Waley and Steven Spielberg.

The proceeds from the annual Art + Film gala will be used not only to fund LACMA’s extensive work, but also for LACMA’s efforts to increase the weight of the film in its own conservation program.

Brands are also participating in the event, which is celebrating its 100th anniversary this year, and Gucci was a sponsor of the event this year, and Audi has also expanded its support for the gala.

Eva Chow, co-chair of the gala, said: The Art+Film gala served as a focal point for our efforts to revitalize the dialogue between art and film in Los Angeles. This year’s 10th anniversary gala honours the achievements of Amy Sherald, Kehinde and Ealy, and director Steven Spielberg, artists who tell powerful stories through their work.

 

Lee Jung-hyuk. 
Copyright (c) Sports Chosun

 

Source : https://entertain.v.daum.net/v/20211025100211441?fbclid=IwAR3eTWgDlJDlKUg6IVHZGgH2Guu7JF6tSmemCVu73at8ZT3TkNqKzY7PZdo

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Thank you @Annelyse Courtfor sharing this wonderful news.  I was keeping my fingers crossed that he will attend the LACMA 2021 Gala.   I hope he will leave earlier for Los Angeles attend the Asia Entertainment Summit event for his is one of the three honourees this year.  Sa femme, Lee Min Jung l'a accompagné pour assister aux galas du LACMA dans le passé et j'espère qu'elle le fera à nouveau cette année.  

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4 minutes ago, peonie said:

Thank you @Annelyse Courtfor sharing this wonderful news.  I was keeping my fingers crossed that he will attend the LACMA 2021 Gala.   I hope he will leave earlier for Los Angeles attend the Asia Entertainment Summit event for his is one of the three honourees this year.  Sa femme, Lee Min Jung l'a accompagné pour assister aux galas du LACMA dans le passé et j'espère qu'elle le fera à nouveau cette année.  

 

@peonie ye, I hope she will accompany him again to attend LACMA galas, which she did in the past since she's not doing any projects at the moment, anyway. :ohboy2:

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October 26, 2021

 

Latest posting by Byung Hun-ssi on his IG

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His message was:   Jeju.  He must still be there busy filming "Our Blues"   

 

What a beautiful capture of the sky and clouds!  

 

Source:  LBH IG 

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October 27, 2021

 

Squid Game's Lee Byung-Hun, Marvel's Shang-Chi and The Legend of The The Ten Rings ...

 

 

LOS ANGELES, Oct. 26, 2021 (GLOBE NEWSWIRE) -- Asia Society Southern California (ASSC) will be hosting the 12th annual U.S.-Asia Entertainment Summit on Monday, Nov. 1, 2021 from 4:00 p.m. to 7:00 p.m. Pacific Time at the Academy Museum of Motion Pictures in Los Angeles.

 

The dynamic entertainment summit celebrates Asians and Asian Americans who have made significant contributions to film and television, both creatively and philanthropically. Asia Society has long recognized the power of entertainment media in building bridges across cultures and ASSC will pay tribute to a group of honorees whose impact on the medium transcends international borders.

 

Bela Bajaria was named Head of Global TV, Netflix in 2020, overseeing all scripted and unscripted series around the world. Bajaria leads the teams responsible for hit series including The Crown, Bridgerton, The Queen's Gambit, Never Have I Ever, Squid Game, La Casa de Papel and Lupin.

 

Prior to Netflix, Bajaria was President, Universal Television, where she made history as the first woman of color to oversee a studio, shepherding programming including Unbreakable Kimmy Schmidt, Brooklyn Nine-Nine, and The Mindy Project. Earlier, she held two key posts simultaneously: Senior Vice President, Cable Programming for CBS TV Studios, and Senior Vice President of Movies and Miniseries for CBS Network.

 

Maui-born Destin Cretton, is fresh off the release of Marvel Studios' newest film, Shang-Chi and The Legend of The Ten Rings, starring Simu Liu, Michelle Yeoh, Awkwafina, and Tony Leung. This is the first film in the MCU that is led by an Asian actor and mostly Asian cast. Destin's feature film debut, I Am Not a Hipster, premiered at Sundance in 2012. And was followed by Short Term 12, which won the Grand Jury Prize and Audience Award at the SXSW Film Festival in 2013, featuring early performances by Brie Larson, Lakeith Stanfield, Rami Malek, Kaitlyn Dever, and John Gallagher Jr. His third feature, an adaptation of the NY Times best-selling memoir, The Glass Castle, starred Brie Larson, Woody Harrelson, and Naomi Watts and was released in 2016 by Lionsgate. Following this, Destin directed Just Mercy for Warner Bros, the adaptation of the NY-Times best-selling memoir by civil rights attorney Bryan Stevenson. The film starred Michael B. Jordan, Jamie Foxx and Brie Larson.

 

Byung Hun Lee is largely credited for being one of the driving forces of the "Korean Boom" in the entertainment industry. Lee has found tremendous international success in television and film and has solidified his position as one of Asia's biggest stars.

 

Lee's popularity is apparent with many records and honors to show; he is the only actor to sell out the Tokyo Dome with 45,000 screaming fans, as a member of the Academy of Motion Picture Arts and Sciences, Lee was the first Korean actor to present an Oscar at the 88th Academy Awards in Los Angeles and most recently, Lee became the first Korean actor awarded with the Asian Film Excellence Award in 2021 at the 15th Asian Film Awards.

 

Lee appeared as "Front Man" in Netflix's most-viewed series, Squid Game. Lee recently finished filming Emergency Declaration which had its world premiere at the Cannes International Film Festival in 2021, The Match, and Concrete Utopia, set to release in 2022.

 

His latest project Our Blues from acclaimed writer Noh Hee Kyung is currently shooting in Korea and returns him to the small screen.

 

In conjunction with this celebration of excellence in film and television, ASSC will honor the philanthropic endeavors of the establishment of the Academy Museum of Motion Pictures with a tribute to its major Asian and Asian American donors. This new cultural landmark and the inspirational ethos behind it would not be possible without the generosity of philanthropists such as this year's honorees: Mark Amin, Ashok and Chitra Amritraj, Julia Gouw, Peter Lam, George Takei, and the Robert Chinn Foundation.

 

Preceding the evening program, attendees will be able to tour the newly-opened Academy Museum, including its much-anticipated exhibition on Japanese animation legend Hayao Miyazaki and showcase of kung fu icon Bruce Lee. Live panels and virtual conversations with Asian American industry leaders and journalists will round out the afternoon program.

 

"The impact of Asian and Asian American filmmakers, actors, executives, and philanthropists on the film and television industry cannot be overstated. Their vision shapes not only the stories we watch on screen, but how we remember our history, how we see ourselves. ASSC is honored to recognize this group of 'Game Changers' for consistently driving forward Asian representation both on- and off-screen," said Janet Yang, Producer and Chair of the U.S.-Asia Entertainment Summit.

 

The U.S.-Asia Entertainment Summit is the most prestigious gathering of dealmakers, thought leaders, and content creators in the U.S. and Asian entertainment industries. Founded in 2010 and now in its 12th year, this signature ASSC event -- originally created as a forum for filmmakers from the U.S. and China to collaborate -- has expanded to a full-day conference analyzing the driving forces and current trends transforming entertainment across all of Asia and beyond film -- to television, digital streaming and content, music and gaming. Further expansion of the summit programming this year reflects the growing impact of entertainment from Korea, India, and Japan, among others, throughout Asia and in the United States.

 

"We are delighted to be bringing back our incredible summit this season. While much has changed over the last year and a half, it's clear that diversity and the creativity of global content are here to stay. The recent success of "Squid Game" is a positive and exciting indicator of how Asian content can so successfully cross international boundaries. The summit committee is thrilled to continue championing industry leaders who are creating a massive impact in the entertainment space,"  said Asia Society Southern California Co-Chair Katie Soo.

 

The 12th Annual U.S.-Asia Entertainment Summit will be held on Monday, Nov. 1, 2021 from 4:00 p.m. to 7:00 p.m. Pacific Time at the Academy Museum of Motion Pictures in Los Angeles.

For more information on the US-Asia Entertainment Summit, please visit: https://asiasociety.org/us-asia-entertainment-summit

 

Source:  https://www.wdrb.com/news/national/squid-games-lee-byung-hun-marvels-shang-chi-and-the-legend-of-the-ten-rings/article_8e7c75f6-7902-5483-9a8c-26036d117d7c.html

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October 27,  2021.

 

Asia Society Updated information on Lee Byung Hun 

 

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Lee Byung-Hun
Actor

 

Lee Byung-Hun is an actor who is recognized as one of the starters of the “Korean Boom” in television and film. In 2012, Lee was one of the first Korean actors to imprint his hand and foot prints on the forecourt of TLC Chinese Theatre in Hollywood. On February 28, 2016, Lee became the first Korean actor to present an Oscar at the 88th Academy Awards in Los Angeles. He is also a member of the Academy of Motion Picture Arts and Sciences.  

 

Lee started his acting career in 1991 with a starring role in the Korean television drama Asphalt, My Hometown. His breakout film performance came in 2000 with a starring role in Park Chan Wook's JSA, followed by A Bittersweet Life in 2005 (an official selection of the 58th Cannes Film Festival), The Good, the Bad, and the Weird and I Come with the Rain in 2008, and I Saw the Devil, which premiered in 2011 at the Sundance Film Festival to critical acclaim. His first period piece, Masquerade, was released in 2012 and met with stellar reviews from both audiences and critics, becoming the highest grossing period piece in Korean history. His 2015 Korean film Inside Men went on to become the highest grossing R-rated film in Korea and earned Lee 14 awards that year.

 

Lee's first foray in Hollywood films came in 2010 with a starring role in G.I. Joe: The Rise Of Cobra, followed by roles in G.I. Joe: Retaliation, Red 2, and Terminator: Genisys, where he reprised the iconic role of the T-1000. Lee’s first independent U.S. film, Misconduct, opposite legendary actors Anthony Hopkins and Al Pacino, was released in 2016. In The Magnificent Seven, from acclaimed director Antoine Fuqua, Lee stars alongside Denzel Washington, Chris Pratt, and Ethan Hawke.

 

In September 2021, Lee appeared as “The Front Man” in Netflix’s highest viewed show, Squid Game. At the 15th Asian Film Awards this year, Lee became the first Korean actor honored with the Excellence in Asian Cinema Award. 

 

Lee recently finished filming The Match and the disaster thriller film Concrete Utopia, directed by Um Tae-Hwa. Both films are set to release in 2022. His latest project, Our Blues, from acclaimed writer Noh Hee Kyung, marks his return to the small screen and is currently shooting in Korea. Lee is also making his first foray as a producer in the Netflix film I Believe in a Thing Called Love, set to begin production in 2022.

 

Source:  https://asiasociety.org/us-asia-entertainment-summit/2021-us-asia-entertainment-summit-honorees

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October 29, 2021.

 

Congratulations Byung Hun-ssi!!!  

 

Actor Lee Byung Hun has been recognized for his influence that transcends borders.

 

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Byung-Hun Lee was selected as the winner of the Asia Society's 'Entertainment Game Changer Awards'.

 

According to his agency BH Entertainment on the 29th, Lee Byung-hun was invited as the winner of the 'Entertainment Game Changer Awards' held at the Academy Film Museum in Los Angeles (LA) on the 1st of next month (local time).

 

Lee Byung-hun, the CEO of Netflix Global TV, Bella Bazaria, and director Destin Daniel Cretton, who directed the movie "The Legend of Shang-Chi and Ten Rings," were included in the list of winners.

 

This awards ceremony, which marks its 12th anniversary this year, is being held as part of the 'Entertainment Summit' hosted by the Southern California branch of the American non-profit foundation Asia Society. It commemorates the contributions of leading figures in the arts and culture across Asia, and highlights trends and influences in the content, music, and game industries.

 

Previously, Lee Byung-hun received the Cultural Diplomacy Award from the Asia Society Korea Center in 2014.

 

He made his way into Hollywood in 2009 with 'G.I. Joe: The Rise of Cobra', and established himself in several films such as 'Red:2' and 'Magnificent 7'. In 2016, he became the first Korean actor to be invited to the Academy Awards and was appointed as a member of the Academy that year.

 

Meanwhile, Lee Byung-hun is about to meet with the audience through 'Emergency Declaration', 'Concrete Utopia', and 'The Match'.

 

Source: https://www.asiatoday.co.kr/view.php?key=20211029010017377

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October 29, 2021

 

Acemaker boards sales on ‘The Match’ starring Lee Byung-hun from ‘Squid Game’

BY JEAN NOH  8 October 2021

 

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SOURCE: ACEMAKER MOVIEWORKS

‘THE MATCH’

 

 

South Korea’s Acemaker movieworks is launching international sales on The Match, starring Lee Byung-hun (Squid Game, The Man Standing Next) and Yoo Ah-in (Burning) as an undefeated Go master and his gifted but willful protégé. 

 

Directed by Kim Hyung-joo (The Sheriff In Town), the film is set in the 1980s competitive world of Go championships (Go is a strategic board game popular in many parts of Asia).

 

When Lee’s character discovers a gifted but untrained young boy (Yoo) in an amateur contest, he takes him under his wing to turn into a professional player. But conflicts arise when the protege later turns against his teachings.

 

Produced my Moonlight Film (Money, The Spy Gone North), the film is in post-production.

 

At the upcoming Asian Contents & Film Market, Acemaker movieworks also will be selling films including Kwak Kyung-taek’s Firefighters, based on a true story, and Lee Il-hyung’s Remember, the Korean remake of Atom Egoyan’s Nazi-hunter drama.

 

Source:  

https://www.screendaily.com/news/acemaker-boards-sales-on-the-match-starring-lee-byung-hun-from-squid-game/5164118.article

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October 29, 2021


Korean actor Lee Byung-hun wins US award for Asian entertainer

 

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Actor Lee Byung-hun / Yonhap

 

South Korean actor Lee Byung-hun has won a U.S. entertainment award for Asian and Asian American contributions to film and television, the event organizer said Friday (Korean time).

Lee was included in the list of recipients of the U.S.―Asia Entertainment Summit and Game Changer Awards, along with Bela Bajaria, head of global TV at Netflix, and Destin Daniel Cretton, director of the superhero film "Shang-Chi and The Legend of The Ten Rings" (2021).

Hosted by the nonprofit organization Asia Society, the annual event was designed to recognize the contribution of people in the entertainment industry across the Asian region. 

Korean singer and actor Jung Ji-hoon, also known as Rain, was awarded the Entertainment Game Changer Award in 2019.

Lee has received critical acclaim for his performances in a wide range of genres throughout his 30-year career in works like "A Bittersweet Life" (2005), "The Good, the Bad, the Weird" (2008) and "Masquerade" (2012).

Since his Hollywood debut with "G.I. Joe: The Rise of Cobra" in 2009, he has appeared in several U.S. films, including "Terminator Genisys" (2015) and "The Magnificent Seven" (2017). He became a member of the Academy of Motion Picture Arts and Sciences in 2016.

This year's Game Changer Awards ceremony will be held Monday at the Academy Museum in Los Angeles. (Yonhap)

 

Source: http://www.koreatimes.co.kr/www/art/2021/10/398_317861.html

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October 29, 2021


Speculating on 'Squid Game'

 

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By Peter Y. Paik

 

After the unprecedented best picture Oscar won by "Parasite," another South Korean cultural product, "Squid Game," has achieved global prominence. It is now the most-watched show on Netflix, having drawn over 111 million viewers during the first 17 days of its release.

 

In the series, a group of impoverished and desperate Koreans play a series of children's games in their quest to win an enormous cash prize (the equivalent of $38 million). The catch is that the games are set up so that losers in the game are not only disqualified but also killed.

 

Detractors of the series have pointed out that the series is derivative of earlier works, such as the Japanese film "Battle Royale" and the American novel and film, "The Hunger Games." The storyline where ordinary people are compelled to kill each other in a brutal and bloody competition for survival is nothing new.

 

Yet there does appear to be something different about Squid Game. True, the show is excessively graphic in showing the corpses of the losers being dissected for organs before being shoved into furnaces. And critics who decry the thinness of its characters have a point. The pacing of events serves to kill off key participants too abruptly. The tattooed gangster, the girl whose father was killed, the kind immigrant worker, and the scheming middle-aged woman all die before they can fulfill their promise as fictional characters.

 

But the visual scheme of the series has an almost hypnotic effect on the viewer ― the pink uniforms worn by the faceless guards in black masks provide an arresting contrast to the dark green tracksuits worn by the players. The environments in which they play their games are often painted in bright pastels or bathed in a golden light, evoking a nostalgia for childhood that accompanies them to their doom.

 

The most fascinating aspect of Squid Game may also be the most shocking one. The series routinely juxtaposes the heart-rending distress and gut-wrenching anguish of the players with the repulsive and disgusting sight of their bodies being lowered into coffins with garish pink ribbons wrapped around the lid.

 

But the effect of the scenes where the faceless pink-suited workers dispose of the corpses is curiously anticlimactic. All the agonized pleas for mercy, the impassioned protests against cruelty and injustice, are reduced to an inhuman silence by the sight of the bodies, including of those characters for whom the viewers have come to feel a strong sympathy. The game must go on. It is more important than the feelings of identification that the viewer establishes with the suffering characters onscreen.

 

The pacing of the story, in other words, is determined by the game more than it is by the interest we may take in the characters. And the rapidity with which the characters are killed off, more than making the audience feel moral outrage at the vicious and predatory nature of the competition, serves to anesthetize the viewer. Indeed, what lingers longer than our sorrow at the violent deaths of the characters is a helpless sense of defilement at the sight of their violated and bloody corpses.

 

Such an unpleasant and disagreeable sensation creates an unsettling parallel between the viewer and the wealthy VIPs who show up to take in the bloody proceedings. For it may not ultimately be the spectacle of murder and mayhem that attracts these corrupt and jaded rich men, but rather their desire to witness the raw and intense emotions produced by the threat of violent death.

 

In this respect, the VIPs are not very different from the viewers of the series. They simply wish to see in real life a suspenseful drama that we want to enjoy on screen. But the series closes on a note indicating that all is not as it appears to be. Not only was one of the VIPs a participant in the game, but the Front Man, played by Lee Byung-hun, carries out his duties with both stern professionalism and unexpected tact. He had himself been a winner of the game in a prior year.

 

The Front Man does not behave as a sadist relishing the sight of human suffering. His face is thoughtful, his bearing somber, and he appears to be motivated by the need to perform a terrible duty rather than by the desire for selfish gain.

 

While this prognostication may prove to be a spoiler, the series seems to be setting us up for the revelation that the Front Man sees himself as the protector of the nation, and that the purpose of these cruel games might be to prevent something far worse from happening to the country.

 

For the bind in which Korea finds itself is having achieved enormous prosperity and now worldwide cultural influence under an economic system that seems to consign much of its population to poverty, childlessness and despair. The harshness of this system is not in doubt, but it appears to be the only game in town.

 

What would it mean to stop playing this game, where so many pay the price in hardship, loneliness, and desolation, but where others have achieved great prosperity and produced outstanding cultural achievements?

 

The talent and professionalism of the Front Man may express the determination to make the best of a game that Korea itself did not chose, but was forced on the country through political upheaval and economic crisis. The well-being of Korea, however, may well depend on being able to imagine an alternative to a system that has brought the country much distinction while also depriving it of its future.

 

Peter Yoonsuk Paik (pypaik@gmail.com) teaches in the English Department at Yonsei University. The views expressed in the article are the author's own and do not reflect the editorial direction of The Korea Times.

 

Source:  http://www.koreatimes.co.kr/www/opinion/2021/10/137_317224.html

 

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October 29, 2021

 

Hanmac for which Lee Byung Hun acts as spokesperson released photos of the actor on its IG

 

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Caption:  Breaking News Actor Lee Byung Hun was captured  enjoying Hanmac and food at a restaurant in Seoul.  Which one is this?

 

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Caption:  Actor Lee Byung Hun was captured by looking for a Hanmac on a terrace in Seoul.    Where is the Hanmac now?  #Refreshing flavour Korean Taste #K lager#Lee Byung Hun 

 

Source:  IG of hanmac_official

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November 1 2021.

 

Rubeurs, the official fan club of Lee Byung Hun sent him a bouquet of flowers.

 

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Actor Lee Byung-hun was selected as the winner of this year's Game Changer Awards in recognition of his cross-border influence as a global star at the 12th Asia Society Game Changer Awards held at the Academy Film Museum on November 1 (local time).

 

In response, the official fan club Rubeurs  prepared and delivered plenty of bouquets to congratulate the actor on his award.

 

Congratulations to our actor on winning the award!

Spoiler

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Source:  IG of  bh_rubeurs

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November 1,  2021.

 

Pureung food stall

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"This is the actual set of the drama #OurBlues, which has recently been exposed to the media little by little. #Kim Woo-bin #Shin Min-ah #Lee Byung-hun #Han Ji-min #Cha Seung-won #Uhm Jung-hwa are already a hot topic for the amazing casting.

 

By the way, the background of this drama is #Jeju Island #Geumneungri. A drama set has been set up for several months already, and the main actors are appearing (?) everywhere.

 

Recently, there is also an anecdote that Lee Byung Hun, a homeless person, was disrespected by a village woman at Hallim Port.

 

This Pureung food stall is run by the female protagonist in the drama.

 

We are looking forward to seeing how our Geumneung-ri will be shown in the drama."

 

Source:  IG of foodcharong

 

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