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[Movie 2020] Alive, 살아있다

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#Alive #살아있다   GENRE Thriller, Zombie   START OF FILMING later half of 2019 Finished in 3 months   PREMIERE  June 24th, 2020   DIRECTO

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zipcinema IG   “Yoo Ah In X Park Shin-hye intense casting ★ Jo Il Hyung director/adaptationX Matt Naylor script! <#ALONE> The 2nd half crank!” (Just commented on their IG to show suppo

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Yoo Ah In & Park Shin Hye cast as leads of upcoming film '#ALONE', about a closed-off city full of infected people AKP STAFF       An unexpected, but exciting

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#ALIVE Review Poster is out, which shows some best press reviews for the film, to celebrate 1 million moviegoers :hwaiting:

 

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Movie  ALIVE review.

:allgoodlol:

Sweeping box office No.1.

The birth of a new survival thriller that has never been seen before. 

Yoo Ah In and Park Shin Hye perfect survival chemistry.

Dynamic survival entertainment movie.

It makes me sweat for the whole movie.

 

 
 
 
 
 

 

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#Alive' Yoo Ah In X Park Shin-hye , 1st Survival Report video to audience released

The first video, released on the 8th day of its release, is a selfie concept that seems to make a video call with the only survivors in the film, giving viewers another experience.

 

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#살아있다, 생존신고 1탄 최종

stardailynews https://youtu.be/O0hAupg1pPA

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 Shin-hye  said, “I want to try the'Jurajura Challenge', too. If the movie'#Alive' breaks into the audience of 2 million, "I will come back to the song'Hope Song of Noon' and dance together with Kim Shin-young and "Jurajura Challenge". "I promised.:piggydance:

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 Park Shin Hye trending no.6 in Naver  Jurajura

 

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'#Alive', surpassed 1 million audiences on the 5th day of release.

International Box Office: Korea Comes ‘#Alive’ As Horror Pic Makes A Killing; France Amorous In Return To Cinemas

nancy-tartaglione.jpg?w=60

By Nancy Tartaglione

June 30, 2020 9:48am

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Spackman Entertainment

The international box office this weekend was again led by Korea, with major local release #Alive taking a 70% share of the market. The zombie horror thriller from Spackman Entertainment’s Zip Cinema sold 1.06M tickets in its first five days for a gross of $7.4M through Sunday, again demonstrating the strength of new offerings, particularly in Korea which has been at the forefront of comebacks. The movie, directed by Cho Il-hyeong, instantly becomes one of the most successful releases amid the ongoing coronavirus pandemic and is the first title in Korea to break the 1M admissions threshold since February.

 

#Alive, co-produced by Perspective Pictures, is based on an original screenplay by Hollywood writer Matt Taylor. It tells the timely story of two isolated survivors in a city under lockdown that gets out of control as a consequence of a sudden spread of an unknown infection. Yoo Ah-in and Park Shin-hye star.

 

 

The other key markets this session included newly re-opened France while play mostly increased overall (see snapshots below).

There is concern ahead, however, as the U.S. struggles with mounting COVID cases, exhibitors shift opening dates (notably AMC and Cineworld) and there is no clear picture from China. What is clear is that overseas moviegoers are eager for fresh titles, though the studios in the past week continued to switch up their schedules.

This weekend’s only new major offshore market in play was France with its first full session. Cinemas re-opened on Monday June 22 and ramped up on Wednesday June 24 which is the traditional opening day in the market. As noted in last week’s report, moviegoers returned with gusto. The Top 10 titles in the Wed-Sun session sold over 457K tickets, good for a gross of over $4M.

 

Coming this week, Belgian cinemas will get back up and running as will those in Ireland, Ukraine and Greece. In Russia, the Sakhalin and Leningrad regions are also allowed to go back to work. The UK has been given a green light to resume operations from Saturday (July 4), although major chains are holding off until later in the month in what remains a fluid situation given the key release date changes and the difficulties facing Los Angeles.

Looking at last year over this same weekend, Sony/Marvel’s Spider-Man: Far From Home was out in early offshore release, notably in China, with $111M from just three markets. It was followed by Disney/Pixar’s Toy Story 4 at $80.6M in holdover play, and Warner Bros/New Line’s debut of Annabelle Comes Home with $45M.

 

It’s a vastly different picture this year, but some markets are indeed seeing increases as more cinemas come back online. Here’s a snapshot of what went down ver the weekend:

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Spackman Entertainment

 

KOREA – As noted above, Korea led all play for the international weekend again, this time led by #Alive with $7.4M on 1,869 screens for a 70% share of the box office. In total, the Top 10 grossed $8.2M for the Thursday-Sunday session, a massive 103% increase on last weekend. Coming in second was Sony’s local picture Innocence which has now amassed $5.3M. Disney/Pixar’s Onward, in its sophomore frame, is now at $2M. There are about 1,900 locations open in Korea where the weekend was down 63% versus last year’s similar weekend.

 

FRANCE – Also as noted above, the cinema-loving market returned with a resounding “Je t’aime.” There were over 457K admission across the Top 10 during the Wednesday-Sunday frame, for $4M worth of ticket sales from about 680 locations. Leading play was Memento’s La Bonne Epouse, a re-release of a pre-COVID title which sold about 112K tickets during the session. SND’s De Gaulle was in second, followed by Onward, Agnieszka Holland’s Mr Jones (L’Ombre De Staline) and Universal/Blumhouse’s The Invisible Man.

JAPAN – The Top 10 in Japan scored $1.5M, essentially flat with last weekend’s

 

 

 

full article: https://deadline.com/2020/06/international-box-office-korea-alive-weekend-update-china-france-1202973614/

 

 

 
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