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That Winter’ Jo In Sung-Song Hye Kyo, Laughter and Consideration throughout the Shoot ‘Heartwarming20130108224600365.jpg

Jo In Sung’s care and consideration for the actor and crew filled the filming site with warmth.

Behind the scenes of That Winter, The Wind Blows was unveiled on the ’2013 SBS Drama Special – that man, that woman date,’ which aired on January 8th.

Despite filming outdoors in cold weather conditions, Jo In Sung and Song Hye Kyo maintained their cheerfulness from beginning to end; and Jo In Sung showed consideration as he secretly gives the cold Song Hye Kyo a hot water bag (‘hot pack’).

In addition, at one point, due to Jo In Sung’s tall height, the camera angle could
not capture his entire face, and he then asked out of consideration to the crew, “Should I lower my height?” When the crew responded they can just raise the cameras higher, he revealed himself as a warm-hearted top star by stating, “But doing that would require a lot of people.”

Financial News Star: ujungnam@starnnews.com Reporter Nam Woo Jung

News Report and Press Releases: press@starnnews.com

Source: Nate
Translated by: Shanda @ Songhyegyo.net


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I think it's definitely worth it for HK to film WKW's film.. although it's been three years and she had to travel constantly between Korea and China without knowing when filming would end. I haven't seen the film yet, but the stills with Mrs. Ip are absolutely GORGEOUS. She looks so beautiful, demure and classy in qipao.. and she is not even Chinese lol. WKW is a very slow film maker who seems to be a bit bizar, and I know many fans are unsatisfied with him, but the man is a master in cinematography. Reviews on Weibo (regarding Hyekyo) have been very positive. WKW has really brought the best out of her camera-wise (and some even said he filmed her as beautiful as Maggie Cheung in In the Mood for Love). And it looks like she has earned a lot of experience with body-acting/eye acting as well. I don't really mind how many lines she has. Acting through your eyes and body gestures is even harder than saying your lines and it seems like her hard work has been paid off as she is earning a lot of positive feedback on both her beauty and her acting skills.

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Guest reiz1430278104

;)) He didn't need to be so sneaky about giving her the heat pack. Although, I did find it just so darn squealing adorable the way he kept diverting his eyes and waited until the guy turned around just so he can give it to her. He's such a sweet gentleman to the lady.

Also, how cute that Lee Min Ho's best bud gets to act along side his all time favorite woman. I bet he's so full of jealousy and envy for Kim Bum. Who knows, maybe he'll even make a special appearance on the set to support him, but we all know he actually came to see her. :P

I can't wait to see the scene where the both of them eat the cotton candy together. That's probably the starting point of when he falls in love with her because of her mesmerizing eyes. She really does have a pair of beautiful eyes though.

Anyways, doesn't Kyo have any fight scenes in TGM or is she just there as Tony's wife?

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^hihello reiah....... warm welcome to shk home..... you make me want to watch the special again just to notice that hehe..... on TGM, Kyo doesn't has any fight scene..... she only portrays a devoted wife to Mr Ip   :)

 

seems that, for this drama, they have been dubbed a "cotton candy couple" :D

tw130109a.gif 

dc

 

july 22, gita, longtime no see..... hope to see you guys more often :\">

Bwear, thanks for the lovely comments..... can't wait to watch TGM !

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putriN: woahh "cotton candy couple" ?? im loving the name,an it sure suits them..they look oh soo adorable together..my friend who was at first anxious of JIS-SHK pairing,fell head over heels in love with their oozing chemistry after watching the teaser and preview.. no one could resist their charm i guess..  :\">

kamille: thanks for the article..

bwear: i agree,filming TGM was really worth it..and im soo happy that shk is getting soo many positive reviews for the film..she had minimal screentime,but still she is remembered and praised for her work..thankful to WKW for bringing out the best in kyo..!!  :\">

Gitakawaii: hi i loveee ur avie..HOT wub.gif

reiah: lol trust me,i thought the same,i was wondering whether LMH would be jealous  wen he learns kim bum is working with SHK..  :P and about TGM,i dont think she has any fight scenes,but im afraid im not sure..

one of my fav scenes from the preview...its soo touching...impressive acting from our girl..and also im getting addicted to the BGM..

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and JIS's "secret" heatpack..hehe     ;))

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That Winter, The Wind Blows Preview: 10-Minute Special Preview of the Drama Revealed

Posted on January 09, 2013 in drama by nettop01

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The special preview of the upcoming 2013 SBS drama ‘That Winter, The Wind Blows’ has been revealed.

After its 40-second long teaser on December 31st in the SBS Acting Awards, SBS has revealed further footage of the drama through its SBS Drama Special Screening on 8th, giving the anticipating fans a taste of their upcoming drama.

The clip is short, but strong. 10 minutes were enough for the producers of the drama to drive the drama’s overall theme of ‘a life-wishing man approaching the death-wishing woman’.

Starting with Jo In-sung’s whispering narration, Song Hye-kyo immediately came into the scene with fast-paced editing. Kim Bum, Jung Eunji, Bae Jong-ok and Kim Tae-woo completed the scene with immense presence and charisma.

Writer Noh Hee-kyung’s renowned ability to condense multiple messages and stories in even the shortest lines, and director Kim Gyu-tae’s stylish cinematography in a romantic winter setting, foretold the coming of possibly the best romance drama of the first half of 2013.

The drama will premiere on February 13th

http://www.youtube.com/watch?v=c_k2YA_jabI&feature=player_embedded.

source: koreandrama.com
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khxy said: http://tieba.baidu.com/p/2086074478?pn=5
scroll down to no 132.
(sorry the image i posted earlier is gone)
Mrs Ip waiting for Mr Ip to come home
Btw,Mr&Mrs Ip kissing scene was edited by Wkw.is it bad news?hehe

*sorry for the spoilers
source:baidu and weibo

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Kim - Yay, you got your Elle mag! Rose got hers the other day, too. Hopefully mine will come this week! Don't worry, I have already made it a goal to have the interview/article translated. I am anxious to read it! Is it pretty long? 
PutriN - have you received yours? 
I really love the cotton candy scene...:x

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^ Shanda, it's almost 2 pages with small letters, so i think it could be a long translation dear. Thanks in advance for the efforts and looking forward for your trans :D

Some gifs from fans at hbshk baidu
e5b63863f6246b60871e97b1ebf81a4c500fa226

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6f170ddf8db1cb13abe719d6dd54564e90584bac

edit: ria, awwww....thanks dear, you are soo sweet  :-*

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^^ shanda: thank you so much,very much looking forward for ur translation  :D

kim: here you go,cotton candy couple in cartoon effect for you..  ;) im sure wel soon be getting cartoon versions of it,from baidu fans,may be

Desktop51_zps169b3119.jpg  

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kim: ur welcome dearie  :-* guess we should be calling them C2 (cotton candy) couple from now on?   :P


Film-like teaser for 'Wind Blows in Winter' astounds viewers

By Korea Star Daily | KpopFighting.com – 1 hour 38 minutes ago

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Upcoming SBS TV Wed-Thu drama 'That Winter, The Wind Blows' will be making its debut on February 13th, and a special 10 minute teaser was released through 'SBS TV drama special preview' on January 8th, with the beautiful scenes moving the hearts of viewers.

Although it was only 10 minutes long, the impactful beautiful scenes in the teaser left a deep impression on viewers, as it told of a story between a man who seeks to live and a woman who seeks to die. The teaser made viewers anticipate the drama even more after viewing it.

The teaser begun with a narration by Jo In Sung as he spoke about the setbacks he had suffered, before swiftly moving into conversation with Song Hye Gyo's character to advance the story, as the fast paced story invoked much curiosity from viewers. Besides Jo In Sung and Song Hye Gyo, Kim Bum, A Pink's Jung Eun Ji, Bae Jong Ok, and Kim Tae Woo also added much highlights with their appearances in the teaser.

With solid acting from the talented cast, every line of the drama crafted with much emotion from the hands of screenwriter Noh Hee Kyung, coupled with the directing from Kim Kyu Tae, 'That Winter, The Wind Blows' is on course to become a perfect new drama.

After viewing the teaser, many took to the internet and SNS to post their comments, "Is this a film or drama? The scenes are really beautiful", "Jo In Sung and Song Hye Gyo are really looking good together! I am definitely watching", "Going to watch this every Wednesday, Thursday".

The production company had earlier uploaded a 30 second teaser onto its official YouTube account, and it was viewed more than 100,000 times in just one day, with many overseas fans leaving their comments. The drama is definitely drawing a huge reaction from local and overseas fans, even though it has yet to air.

'That Winter, The Wind Blows' is a drama that draws out the values of love realistically.

2010-15854_zpsfc70608e.jpg

source:omg.yahoo.com

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^ Thanks dearie  :-* . A cotton candy couple sounds sweet hehe...let's call them as a C2 couple then....H2, C2....what's next ? keke

Here is a review of The Grandmasters from Twitchfilm.....what a great review and i feel relief.

class="headline"Review: THE GRANDMASTER Brings Class to the Ip Man Legend TheGrandmasterHKFinal-thumb-300xauto-361

Wong Kar Wai, Hong Kong Cinema's most prestigious auteur, finally delivers his long-gestating biopic of Wing Chun pioneer Ip Man, and it proves an action-packed visual feast. Light on narrative, but oozing Wong's trademark elegance, the film weaves the director's familiar themes of love, loss and the corrosive nature of time around some of the most gorgeous martial arts sequences ever filmed.
The Grandmaster has been a project so long in the works that for some it may qualify as the most-anticipated film of the new Millennium. It was way back in 2002 that Wong Kar Wai and leading man Tony Leung Chiu Wai called a press conference to declare their intentions. It was more than 18 months ago that the first teaser trailer for the film was released, featuring - as it transpires - footage from the film's opening scene: a rain-soaked street fight between a trilby-sporting Leung and a dozen faceless assailants. As recently as last month, the film's release date was pushed back (again) from 18 December to early January and Wong was still putting the final touches to the film mere hours before its world premiere in Beijing on 6 January.
The story begins in Foshan province, where at the age of 40, Ip Man (Tony Leung) is happily married to a beautiful, doting wife (Korean actress Song Hye-kyo), lives off a healthy inheritance, and has continued the family legacy of advocating Wing Chun, a simplified yet remarkably effective form of kung-fu. At the Golden Pavilion, a local brothel patronised by many of the region's finest martial artists, North-eastern Grandmaster Gong (Wang Qingxiang) challenges the best Southerner to a fight, before he returns North. After seeing off his rivals from the other local martial arts schools, Ip Man comes forward, only to demonstrate that intelligence and restraint can prove as powerful weapons as kung fu. Ip insists that Northern and Southern martial arts can co-exist peacefully, and Gong leaves humbled, yet satisfied.
Master Gong's daughter, Gong Er (Zhang Ziyi) is less satisfied, however, and returns to challenge Ip Man herself. During their fight, they share the briefest moment of attraction, awakening a forbidden yearning within them both. Gong Er returns home, only to discover that her father's best student, Ma Shan (Zhang Jin), refuses to accept his master's defeat, and kills him. Gong's dying wish is that the two reconcile and marry, as the last remaining practitioners of Gong's revered 64 Hands technique. However, Gong Er vows to have her revenge.
While it may sound like The Grandmaster features a lot of plot for a Wong Kar Wai film, this really isn't the case. The film spans many years, including the Japanese occupation and Sino-Japanese War, but in a refreshing break from recent Chinese cinematic trends, the conflict goes largely ignored. As with all Wong's films, the characters are the primary focus, and how they struggle to interact through the veneer of society, honour, and their own self-imposed need to starve themselves of happiness.
There is clearly a much longer film here. Reports abound that until very recently, Wong had a four-hour cut of the film, while the version that goes on general release in Hong Kong and China this week clocks in at about 130 minutes. Perhaps the biggest victim of this drastic re-editing is Chang Chen. Given third billing, as well as his own character poster, his character probably only manages about ten minutes of screen time and only appears in three scenes. Zhao Benshan's worldly-wise father figure gets even less screen time to the extent his role in the film proves almost entirely pointless.
Chang's character, known only as "The Razor", is first seen on a train, fleeing from the Chinese army. Bleeding, and brandishing a cutthroat razor blade, Gong Er sees him and instinctively shields him from the search party. This moment teases at a possible romance between the two youngsters, not to mention reunites Zhang and Chang onscreen for the first time since Ang Lee's Crouching Tiger, Hidden Dragon. We anticipate their next encounter, and how it could complicate Gong Er's relationship with Ip Man, but even after both characters make the move to Hong Kong, The Razor never meets any of the principals again.
Many of the recurring themes that Wong allows to permeate his work resurface in The Grandmaster. Characters have fleeting encounters that are never built upon, but which continue to haunt them for years afterwards. Time proves once again to be everyone's greatest enemy, not only causing people to grow old, but also to forget the things they held most dear - and in this film particularly, the idea that age makes them weak, and less able to defend themselves plagues them relentlessly. Because, of course, for all its melancholy musing and forlorn contemplation, this is a film about martial artists and The Grandmaster is one hell of a beautiful kung fu movie.
Action choreographer Yuen Woo Ping repeatedly dazzles us with his intensity and imagination, staging a number of standout fight sequences throughout the film that are captured exquisitely by Philippe Le Sourd's ravishing cinematography. Screen legends like Bruce Leung Siu Lung and Cung Le push Tony Leung to the limits of his newfound prowess, while Zhang Ziyi and Zhang Jin are also thoroughly convincing fighters on screen. But the staging of the action in The Grandmaster is a far cry from the kung fu in Wong's last martial arts venture, 1994's Ashes of Time. That film instilled a magical quality into its action, coupled with that blurry slo-mo camerawork Chris Doyle favoured at the time. In The Grandmaster, we see everything, and the fights themselves are shot almost as elegant courtships, dictated by ritual, ceremony and mutual respect, or when Zhang's character is involved, a breathless sensuality that only heightens the tension between opponents. Frankie Chan's gorgeous score is another highlight, complemented by an array of songs and classical pieces ranging from 1950s Canto-pop ballads to Ennio Morricone's theme from Once Upon A Time in America - a film that is evoked on numerous occasions throughout.
While admittedly Wong Kar Wai hasn't set himself a very difficult target, it seems extremely likely that The Grandmaster will prove to be the most financially successful film of his career. The anticipation alone should ensure enough tickets are pre-sold to take him most of the way, but the fact that the film is actually really good to boot should help see it do healthy box office both here and overseas. That said, audiences primed by the Donnie Yen/Wilson Yip collaborations who approach this film looking for another dose of nationalistic breast-beating and old-school chop socky action stand a good chance of leaving disappointed. The Grandmaster remains first and foremost a Wong Kar Wai film, employing a very slow, deliberate pace throughout and dedicates long periods of time to watching its characters ponder the great mysteries of life, or more often, wallow in their own regrets and missed opportunities. But this is interspersed by some truly fantastic action, which should delight kung fu fans and arthouse cinephiles alike. In The Grandmaster, Wong Kar Wai has crafted the best-looking martial arts film since Zhang Yimou's Hero, and the most successful marriage of kung fu and classic romance since Crouching Tiger, Hidden Dragon, and is more than deserving of that film's measure of international success.

http://twitchfilm.com/2013/01/review-the-grandmaster-ip-man.html


Read this news said Chang Chen  has become a master in real life, winning a martial arts competition last year after filming TGM 6a65c58343039b6076108c37d9959bbed2d1a346 . WOW!!!

http://www.scmp.com/news/hong-kong/article/1123288/wong-kar-wai-epic-grandmaster-kicks-storm-hong-kong-premiere

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Guest annejung

hi everyone, Thanks so muchhh for loaded of news and pics from TGM , TWWB. Can't wait to see both . :x :x
Here Pics Scan from ELLE Magazine.Our kyo is very beautiful  :-* :x
credit:dc
viewimage.php?id=songhyekyo&no=29bcc427b

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viewimage.php?id=songhyekyo&no=29bcc427b
viewimage.php?id=songhyekyo&no=29bcc427b
 
viewimage.php?id=songhyekyo&no=29bcc427b

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