[Movie 2014] Han Gong Ju 한공주

[czakhareina]

Indie Darling HAN GONG-JU Scores Big Openingby Pierce Conran /  Apr 22, 2014 | KOFIC60,000 Viewers in Four Days for LEE Su-jin’s Debut

The acclaimed indie feature Han Gong-ju scored a big opening this past weekend, accruing 60,931 admissions in its first four days following its Thursday, April 17th release. LEE Su-jin’s debut was granted an unusually large release courtesy of CGV’s Movie Collage program, which selects promising independent Korean films for domestic distribution. Han Gong-ju ranked sixth over the weekend after playing on 225 screens. As of the end of Monday, April 21st, the film had reached fourth place on the daily chart, adding an additional 9,920 viewers to its tally, bringing its total to 70,851 spectators. Normally, an independent film is considered a success if it can go over the 10,000 admissions mark but Han Gong-ju, with such a wide release, is an unusual case. Recent successful indies include O Muel’s Jiseul (2012), which drew almost 145,00 admissions, and YANG Ik-june’s Breathless (2008), which reached 123,000 viewers. LEE’s indie should have no trouble outstripping their totals. Han Gong-ju, which premiered during last October’s Busan International Film Festival, where it picked up the CGV MovieCollage Prize and the Citizen Reviewers’ Award, has been a strong performer on the international festival circuit. The film earned the top awards from the Marrakesh, Rotterdam and Fribourg International Film Festivals, among other festival selections and accolades.
Any copying, republication or redistribution of Kofic's content is prohibited without prior consent of Kofic.

[czakhareina]

“Han Gong-ju” to be screened at 181 movie theaters...”became popular through word of mouth”

The premiere of independent film “Han Gong-ju” at 181 movie theaters has been confirmed. According to the publicity company of the movie on April 16, demand for screening the film poured in from movie theaters before its premier on April 17, unlike other independent films, that it will be screened at 181 movie theaters. It is a special case in which a diversity film has been asked to be screened at more theaters before its premier. The media and critics who participated in its preview early on praised the movie for its high level of artistic completeness. Furthermore, the general public who watched the movie at the general preview explosively spread word of mouth that not only diversity film screening theaters, but also general theaters asked for the expanded screening of “Han Gong-ju”.“Given that diversity films usually consolidate less than 100 movie theaters before their premier, it can be inferred that expectations for ‘Han Gong-ju’ are high both inside and outside the film industry. Among current diversity films, ‘Grand Budapest Hotel’ is highly popular. But even this movie only consolidated 67 screens on the first day of its premier. In comparison, ‘Han Gong-ju’ had more movie theaters premiering it,” a business insider said. “Han Gong-ju” is a movie that depicts how Gong-ju loses a friend from an unexpected accident, transfers to another school, and overcomes suffering in a new place to come out to the world. The detailed directing of director Lee Su-jin, who is more meticulous than most women, and the powerful acting of actress Chun Woo-hee have so far shine through the film.  Credit KOFICE | April 22 2014

[czakhareina]

 Indie film Han Gong-ju boosted by favorable word of mouthby awcoconuts | April 24, 2014 
After garnering praise at last year’s Busan International Film Festival, Han Gong-judebuted on big screens last week to positive reviews from the press and initial audiences. Given the favorable response after its film festival showings, the movie was released on April 17th at 181 theaters — pretty unheard of for a smaller, indie film. It sold over 10,000 tickets on opening day, and due to strong word of mouth, still had daily ticket sales hovering near that amount five days later; the current tally for ticket sales over its first six days totals 84,000, though the number is still climbing.

read on:  http://www.dramabeans.com/2014/04/indie-film-han-gong-ju-boosted-by-favorable-word-of-mouth/

[Guest girlatsea]

Thanks for all the updates guys! Will you be posting where they will be playing the movie (specifically, in the U.S.) or showtime listings or as they become available? Or do you know where I could find them? I am really interested in the film but for some reason I always miss Korean movie viewings when they make their way over here (which is not very often, unfortunately).

[czakhareina]

Han Gong-ju한공주

South Korea
Contemporary drama
2013, colour, 16:9, 112 mins

Directed by Lee Su-jin (이수진)

By Derek Elley

Tue, 29 April 2014, 09:30 AM (HKT)

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Indie drama about a young social outcast has a fine lead but a confused script. Festivals.

Story

South Korea, the present day. Following a scandalous incident and its aftermath, 17-year-old Han Gong-ju (Cheon U-hui), protesting her innocence, is quietly transferred mid-term to a new high school in Incheon by a teacher, Lee Nan-do (Jo Dae-hui), who puts her up pro tem at the home of his mother, Mrs. Lee (Lee Yeong-ran), who runs a small supermarket. Initially hostile to Gong-ju, Mrs. Lee is won round by her when she helps out at the shop one day. After receiving treatment for a genital infection, Gong-ju joins a swimming club. There she's approached by one of her new classmates, Lee Eun-hui (Jeong In-seon), to join a small a capella choir after Eun-hui hears her singing in the showers. Gong-ju refuses but uses Eun-hui to track down her divorced mother (Seong Yeo-jin), who has a new life with a mini-mart owner. Gong-ju's mother says she can't help her. Left alone, Gong-ju remains haunted by the memory of a former schoolfriend, Jeon Hwa-ok (Kim So-yeong), and a high-school boy, Dong-yun (Kim Choi Yong-jun), whom they both knew. Gong-ju used to work at the mini-mart owned by Dong-yun's father and saw first-hand how Dong-yun was bullied by Min-ho (Kim Hyeon-jun), the leader of a group of male schoolfriends from well-connected families whom he hung out with. Eun-hui keeps pursuing Gong-ju to join her choir, especially after she hears her singing one day in the school's music room. Eun-hui and her friends think Gong-ju is a natural talent and secretly send a recording to a talent agency. This further annoys Gong-ju, who just wants to lead an anonymous life. Meanwhile, Mrs. Lee, who is romancing a local police chief (Gwon Beom-taek) and is thinking of re-marrying, is attacked in the street by the man's wife and friends. After repeated calls from her father (Yu Seung-mok), Gong-ju finally agrees to meet him for dinner; but he starts drinking heavily and only wants her to sign a petition. As the suppressed scandal of Gong-ju's gang rape by Min-ho and his friends, plus Hwa-ok's subsequent suicide, become public news, Gong-ju finds herself hemmed in again by social pressures.

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Review

Another bleak portrait of South Korea — as a society riddled with a bullying/blame culture, embedded cronyism and self-destructive family pressures — Han Gong-ju 한공주 is a potentially interesting indie that asks too much of its audience and gives too little in return. One of a growing number of movies in a sub-genre colloquially dubbed "K-Rape", this one follows a high-school girl's quest for anonymity following a horrific experience and the suicide of her best friend. Unfortunately, writer-director LEE Su-jin 이수진, in his first feature after several shorts, asks the audience to sympathise for a good hour with the central character while holding back basic information, and then compounds the problem with a confusing flashback structure. The script's faults are not enough to capsize a fine lead performance by actress CHEON U-hui 천우희 — which earns the film an extra point on its own — but they do seriously diminish what could have been an effective drama.

On the credit side, Han Gong-ju focuses largely on the aftermath of the event than the event itself, the build-up to which is shown only in the film's second half. The movie is also virtually free of self-pitying trauma: in the face of social stigmatisation, through no fault of her own, Gong-ju is a strong, self-reliant character, not given easily to tears and only wanting to rebuild her life anonymously after moving away from home. There's nary a glimpse of a social worker or psychologist: with her mother divorced and her father on the bottle, Gong-ju works out her own problems, fiercely defending her privacy from new school friends but also helping others (like her feisty landlady) who are also victims of social bullying.

On the debit side, however, director Lee keeps his audience in the dark for a good hour about what actually made Gong-ju change schools, exactly who several characters are (her best friend, Hwa-ok, is confusingly drawn), and what exactly is going on off-screen to influence the on-screen story. The cronyism and social pressures that hem Gong-ju in are only referred to in a woolly way; and the audience is often required to work overtime to fill in the gaps in the narrative, as well as make sense of the flashbacks to Gong-ju's life prior to her gang-rape. At almost two hours,Han Gong-ju simply can't sustain itself with such a poorly structured script, and starts getting draggy during the final half-hour.

In her first lead after roles like the glue-sniffing school bully in Sunny 써니 (2011) and the younger sister of HA Ji-won 하지원 | 河智苑's ping-pong champ in As One 코리아(2012), the lynx-eyed Cheon convincingly plays 10 years younger than her real age (27) and is compulsively watchable even when she doesn't have much to say. But by withholding information about Gong-ju, as well as making her more an observer than a proactive character, Lee makes it difficult for the viewer to get under her skin. Also working against any sustained drama is the way in which the focus is constantly switched to other, more colourful roles: Gong-ju's tough-but-tender landlady, acidly played by veteran LEE Yeong-ran 이영란, dominates every scene she's in, while Gong-ju's persistent new schoolfriend, attractively played by JEONG In-seon 정인선, brings a lightness to the movie that's welcome but not always apt. Other roles are conventional stereotypes: a drunken father, a cold mother, preening schoolgirls, macho schoolboys.

The film's general feeling of indecision also extends to other areas: the music alternates between a perky a capella theme and more regular drama, while the photography by HONG Jae-shik 홍재식, though generally well-appointed, has no overall look for what should be a focused study of a single character. The given name Gong-ju can also mean "princess", though nothing is made of this potential irony.

direct link to review: 

[czakhareina]

HAN GONG-JU Crosses JISEUL Box Office Totalby Pierce Conran /  May 01, 2014Hard-Hitting Indie on Impressive Run 

LEE Sujin’s searing debut Han Gong-ju has been both a hit with critics and audiences as the film has become one of the most successful Korean independent films of all time. As of the evening of May 29th, the film had crossed the 160,000 viewer mark. Following its premiere and Citizen Reviewers’ Award and CGV MovieCollage Prize at the Busan International Film Festival, Han Gong-ju has gone on to win the top prizes at the Marrakesh, Rotterdam and Fribourg International Film Festivals, while also picking up three awards at the Deauville Asian Film Festival along the way. LEE’s film crossed the 100,000 viewer mark, an enormous benchmark for an independent production, in just nine days, which was quicker than the pace of recent indie favorites, such as Breathless’ (2008) 19 days and Bedevilled’s (2010) ten. The film also eclipsed the 144,000 total of Jiseul, which became the most successful Korean film to be released on less than 100 screens last year. Released on just over 200 screens, Han Gong-ju joins the ranks of the most widely exposed Korean independent films. Though word of mouth is strong, and daily attendance has remained flat since its opening two weeks ago despite a gradual erosion of screening times, the film is unlikely to cross the indie record holder Old Partner, the surprisingly successful documentary that reached three million admissions in 2009.
Any copying, republication or redistribution of Kofic's content is prohibited without prior consent of Kofic.

[czakhareina]

THE FATAL ENCOUNTER Scores Biggest Korean Opening of 2014by Pierce Conran /  May 07, 2014THE TARGET Also on Target
Following a few tepid months for local releases, the Korean film industry came back with a bang over the recent long weekend. The top draw over the frame was LEE Jae-kyoo’s period drama The Fatal Encounter, featuring the screen return of top star Hyun Bin after his obligatory military service, which scored 1.04 million admissions. As of May 7th, after a week on release, the film has accumulated 2.46 million viewers. The opening was the biggest for a local release in 2014, though it trailed to debuts of Hollywood tentpoles Captain America: The Winter Soldier and The Amazing Spider-Man 2. The period drama edged out Hollywood’s The Amazing Spider-Man 2, which added 740,000 viewers over its second weekend and now stands at 3.53 million admissions. Coming in third was the debut of the new local action thriller The Target, starring RYU Seung-ryong. The film, which will screen in the Midnight Section of the Cannes International Film Festival, brought in 586,000 viewer over the weekend for a 1.35 million viewer total to date. After three weeks on the chart, the indie film Han Gong-ju is still going strong. LEE Sujin’s award-winning film placed eighth on the weekend chart and reached 195,000 viewers by the end of Tuesday, May 6th.
Any copying, republication or redistribution of Kofic's content is prohibited without prior consent of Kofic.

[czakhareina]

girlatsea

said: Thanks for all the updates guys! Will you be posting where they will be playing the movie (specifically, in the U.S.) or showtime listings or as they become available? Or do you know where I could find them? I am really interested in the film but for some reason I always miss Korean movie viewings when they make their way over here (which is not very often, unfortunately).

[czakhareina]

'Han Gong-ju' draws 200,000 viewers
The low-budget film “Han Gong-ju” exceeded 200,000 viewers on May 9 becoming the most viewed indie film in the shortest period of time. On its opening day on April 17, some 10,000 people watched the film.  This increased to 100,000 in just nine days at an unprecedented pace, according to its distributor CGV Movie Collage on Friday.   The movie, based on the infamous Miryang gang rape in 2004, depicts the tragic story of a victimized girl. As of April 29, it reached the 150,000 audience mark, breaking the record of “Jiseul,” which sold 140, 490 tickets in 12 days. Amid the opening of such large scale commercial films as “The Fatal Encounter,” “The Target” and “Amazing Spiderman 2,” it has succeeded in attracting average audiences of 2,000 on any week day.       The film, directed by Lee Su-jin, has received a total of eight awards locally and overseas, including the 18th Pusan International Film Festival, Morocco Marakesh Film Festival and the Rotterdam Film Festival in the Netherlands.   
By Park Jin-hai | jinhai@koreatimes.co.kr | May 12 2014 | Korean Times

[czakhareina]

Korean actresses rising hot at all over the world
Korean actresses are rising hot at all over the world.

Back in November, movie 'Han Gong-ju' has garnered 'Golden Star Award' during '2013 Marrakech International Film Festival', which is widely known as Cannes International Film Festival of Africa.

Chun Woo Hee, who casted in the film as 'Han Gong-ju', received a great number of high compliments from directors Martin Scorcesse, Park Chan Wook, and actress Marion Cotillard.

After watching Chun Woo Hee’s acting, actress Marion Cotillard said, "This actress has done a phenomenal job. I am going to become a huge fan of Chun Woo Hee as of today.

Another Korean actress who is becoming a hot issue among many movie fans is Lee Yoo Young.

On May 10th, Lee Yoo Young headed to Milan, Italy to attend '2014 Milan International Film Festival, and she garnered 'Best Actress' in recognition of the work that she showed in 'Spring'.

It was the first time for a Korean actress to win 'Best Actress' during Milan International Film Festival.

'Spring' is a film directed by Cho Geun Hyun, who directed '26 Years' in the past, and Kim Seo Hyung, Park Yong Woo, and Joo Young Ho casted in the film with Lee Yoo Young.

The movie shows a story about an author, who is dying from an incurable disease, writing the last work of his life as his wife brings a woman with a dramatic story.

Lee Yoo Young casted in the film as a young woman named Min Kyung, who raised two children alone.

Min Kyung never loses her energy and brightness even while going through difficult times, and Lee Yoo Young expressed Min Kyung's character very well.

'Spring' also garnered 'Best Foreign Film' during 'The 23rd Arizona International Film Festival', and it was chosen as the opening night film, and it received a great amount of high compliments. In addition, it was invited to 'The 29th Santa Barbara International Film Festival' as well, and got nominated for six different categories of Milan International Film Festival.

A representative of Lee's management agency said, "Lee Yoo Young is currently staying in Milan with a representative, and it seems that she still cannot believe this news. She will have some interviews directly after getting back to Korea from Milan."

Furthermore, Jeon Do Yeon, who garnered 'Best Actress' in recognition of the work that she showed in movie 'Milyang' during '2008 Cannes International Film Festival', was chosen as a member of the main competition jury of the 2014 Cannes Film Festival, is currently going through schedules in Cannes.

In addition, 8 year-old child actress Lee Re, who casted in movie 'Wish', garnered 'Best Supporting Actress' during the closing ceremony of 'The 4th Beijing International Film Festival'.

A great number of Korean actresses are achieving major accomplishments at all over the world, and movie fans at all over the world are now focusing their attention to them.
/Reporting by Noh I-seul en@starnnews |  May 19 2014

[czakhareina]

Edinburgh Takes 4 from Koreaby Pierce Conran /  Jun 04, 2014
SNOWPIERCER, HAN GONG-JU, INTRUDERS & NIGHT FLIGHT Invited to Scotland 

Following last year’s showcase of Korean cinema at the Edinburgh International Film Festival (EIFF), the Scottish film jubilee has invited another four Korean films to their upcoming 68th edition. Having its long-awaited UK premiere will be Bong Joon Ho’s Snowpiercer and also invited are the popular festival titles Han Gong-ju, Intruders and Night Flight. Following its debut in Korea last August, Bong’s sci-fi blockbuster has well received around the world but before June 2014 it had yet to screen in any English-language country. EIFF will be the first event to screen the film in the UK while the Sydney and Los Angeles International Film Festivals are also presenting the film to Australian and North American viewers for the first time during the month. Snowpiercer will be featured in EIFF’s Director’s Showcase. Meanwhile, Edinburgh’s New Perspective lineup will feature a trio of Korean independent titles. LEE Sujin’s Han Gong-ju, which has won top awards at the Marrakesh, Rotterdam and Fribourg International Film Festivals, will screen along with NOH Young-seok’s Intruders and LEESONG Hee-il’s Night Flight, which debuted at the Toronto and Berlin International Film Festivals, respectively. Korean films have featured prominently at EIFF over the years but especially last year when the festival staged a six-title Korean cinema showcase and invited Bong Joon Ho to serve as the chairman of the competition jury. This year’s edition will unspool from June 18th to 29th.
Any copying, republication or redistribution of Kofic's content is prohibited without prior consent of Kofic.

[czakhareina]

class="art_title" style="margin: 0px; padding: 15px 0px 0px; font-weight: 300; font-family: arial, verdana, tahoma, geneva, sans-serif; font-size: 20px; color: rgb(51, 51, 51); line-height: 28px; width: 526px; background-color: rgb(255, 255, 255);"Starlet Delivers Nuanced Performance as Rape VictimActress Chun Woo-hee played a rebellious teenager in "Sunny" (2011) and a breadwinner looking after her younger sister instead of her errant father in "Elegant Lies" (2014). In "Han Gong-ju" (2014) Chun takes on the even more daunting role of a high school girl who is gang-raped by her male peers. 

"I sometimes regretted that I couldn't get my career going in an easier way as I kept getting offered complicated characters with hard lives who were difficult to portray. But I now believe that I was chosen because I have the ability to act well and deliver the right message," said Chun. 

"Han Gong-ju," directed by Lee Su-jin, was inspired by the true story of a middle school girl who was raped in Milyang, South Gyeongsang Province, in 2004. In just some 10 days of its release on April 17, the film attracted over 100,000 viewers, setting a new record for a Korean independent film. It also won the jury prize, popular choice and international critique awards at the Deauville Asian Film Festival in France in March. 

The film and its lead actress are already being touted as the greatest milestones and discoveries for Korean cinema this year.

The film is neither overly pathetic nor bitter, despite its theme. The main character hardly reveals her thoughts and feelings until the end of the movie. 

"Many other films on similar topics tend to have the main character pouring out their emotions. But do actual victims of such crimes really do that? They may well try to hide their wounds and feelings. People often struggle to talk about their less serious hardships," said Chun. 

"Acting wasn't that hard, but I was afraid the audience may be offended by the film or think the character was not genuine. I had to find a way to approach the role as realistically as possible, which meant hiding everything. I thought perhaps my character tried to hide everything because she knew that nothing would change despite the whirlwind of emotions and hurt that she had inside." 

Chun wants to switch things up in the future after taking on such heady roles. "I want to play an ordinary, fun-loving, and carefree character in her twenties," she said.

However, her next film also deals with weighty social issues. In "Cart" she plays a young woman who gets laid off from her job as a part-time worker at a supermarket. It seems as though she is not destined to play easy roles just yet

englishnews@chosun.com / May 03, 2014 08:18 KST

[czakhareina]

Top 10 Korean Films of 2013

The time has come once again for me to sit down and think about all the new Korean films I had the opportunity to see in 2013 and come up with my favorites. This year, I had a lot to choose from for this ritual as I've seen about 120 local films, so the task proved more difficult than usual.

With 127 million tickets sold and a remarkable nine Korean films featuring in the yearly top ten at the box office, 2013 was a huge year for Korean cinema. Prosperity does not always mean quality and the last few years have been disappointing as far as commercial Korean films have been concerned. Thankfully, in 2013 the industry succeeded in both attracting viewers to multiplexes and putting out high quality fare. That said, I still find myself more partial to the more fertile grounds of independent cinema, as seven low budget films made the list this year. While two films truly blew me away over the last 12 months today's industry still isn't putting out quite the same amount of gems as it was around ten years ago. 

Films considered for this list had their first public screening (festival or commercial release) in 2013. Therefore a number of films released in theaters in 2013 but which debuted at festivals in 2012 won't be found here. Some of those, such as Sleepless Night and Pluto, featured on last year's list. I've also only included films that were funded and made by Korean companies and filmmakers. I may have liked Park Chan-wook's US debut Stoker more than most, but it wasn't part of this year's pool. I also haven't included shorts, otherwise Moon Byoung-gon's Cannes hit Safe or Lee Sang-woo's Emergency Exit (part of Jeonju's Short! Short! Short! omnibus this year) might have sneaked on to the list.

Despite how many films I was able to catch this year, there were still just a few I would have like to see before making this list, including Ingtoogi and City: Hall, but I think I was able to cover most of the bases.\
TOP 10
10. Manshin: Ten Thousands Spirits9. The Attorney
8. New World
7. Koala
6. Non Fiction Diary
5. Pascha
4. Our Sunhi
3. The Fake
2. Han Gong-ju

No film surprised me more in 2013 than Han Gong-ju, a first time indie that was a blind watch for me at the Busan Film Festival in October. Beginning as a simple and almost whimsical tale of a quiet high school girl who keeps to herself, the film gradually adds more layers as flashbacks, characters, tangential stories and increasingly clever camera and editing flourishes get thrown into the mix. 

I would be remiss not to say that the film isn’t for everyone. Some may be angered by the depiction of its terrible secret but I also think that many will be completely bowled over by it. In my case it was an emotional experience that left me shattered and one that I won’t soon forget.
MKC Review
1. Snowpiercer

credit modernkoreancinema

[czakhareina]

Trio of Prizes for Korean Films at Fantasiaby Pierce Conran /  Aug 14, 2014 | KOFICTwo Audience Awards and Special Mention for Animation
Three Korean films received accolades at the Fantastic International Film Festival, which recently brought its 18th edition to a close. The animation The Satellite Girl and Milk Cow earned a Special Mention of the Jury for the Satoshi Kon Prize for Excellence in Animation while Miss Granny and Han Gong-ju placed first and second in the Audience Award rankings for Best Asian Film. The feature-length debut of JANG Hyung-yun, The Satellite Girl and Milk Cow is a fantastical animation that opened in theaters earlier this year in Korea before screening in competition at the Seoul International Cartoon and Animation Film Festival (SICAF) last month. JANG was previously well known for his award-winning short films. Taking first place in the Audience Award for Best Asian Film was the family comedy Miss Granny.HWANG Dong-hyuk’s hit features a breakout performance by SHIM Eun-kyoung as an elderly woman trapped in a girl’s body. The film drew 8.63 million viewers following its Lunar New Year holiday release and previously picked up the Grand Prize at the Okinawa International Movie Festival. Adding to its bounty of awards with a second place finish in the Audience Award for Best Asian Film wasLEE Sujin’s blistering drama Han Gong-ju. Following its debut at the Busan International Film Festivallast year, the film has picked up the top prizes at the Marrakesh, Rotterdam and Fribourg International Film Festivals, in addition to numerous other prizes. Previous Korean winners at Fantasia include the sci-fi omnibus Doomsday Book, co-directed by YIM Pil-sung and KIM Jee-woon, which took the fest’s top prize, the Cheval d’Or, in 2012. Last year, CHO Jae-hyun picked up the Best Actor prize for his role in JEON Kyu-hwan’sThe Weight (2012). 

Any copying, republication or redistribution of Kofic's content is prohibited without prior consent of Kofic.

[jwand]

Chun Woo Hee was awarded "best actress" for Han Gong Ju at the Blue Dragon Film Awards held today.

(Naver.net)

[jwand]

Soompi News, December 17, 2014:

The award ceremony for the 35th Blue Dragon Film Awards took place on the evening of December 17.

“The Attorney” was the night’s biggest winner, as it took home four awards. One of the night’s highlights included the acceptance speech from Song Kang Ho (“The Attorney”) and Chun Woo Hee (“Han Gongju“), who expressed their gratitude through touching speeches.

[Guest adikkeluangman]

Chun Woo Hee garnered 'Best Actress Award' during 'CGV Movie Collage.' This was in October last year.http://en.starnnews.com/news/index.html?no=336488

She said thanks through twitter

감사합니다♡ pic.twitter.com/31ZXihofyD

— 천우희(Woo-Hee Chun) (@heeeya87)

October 30, 2014

[Guest adikkeluangman]

Chun Woo Hee won Best Actress from Korean Association of Film Critics Awards 2014. This movie also won for Best Screenplay and Critics' Top 10.
Here some pictures of her at the award show.

http://media.daum.net/entertain/culture/newsview?newsid=20141114101814938

[Guest adikkeluangman]

Chun Woo Hee took picture with actress Kim Hyang Gi at Grand Bell Awards last year. CWH was nominated in Best Actress category for this movie meanwhile Kim Hyang Gi in Best New Actress (Elegant Lies. Both of them also act together in movie Elegant Lies.

[Guest adikkeluangman]

Chun Woo Hee won Actress Award in 2014 Women in Film Festival to acknowledge achievement in film by women. It was held on December 4. (via Dramabeans).