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@netflixkr

 

인물들이 느끼는 감정 안에서의 빛의 변화
색감을 통해 그려낸 서연과 영숙의 감정들. 디테일한 연출력에 박수를 보냅니다.
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#넷플릭스 #콜 #Netflix #thecall

 

Changes in light within the emotions the characters feel
The emotions of Seo yeon and Youngsook depicted through color. Applause for the detailed presentation.
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#Netflix #call #Netflix #thecall

 

 

 

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2020년은 우리 모두에게 그 어느 해보다 힘들고 우울한 한 해로 기억되겠지만:pensive:
그 와중에도 분명히 있었어요. 웃고, 울고, 긴장했다 통쾌하고, 짜릿하게 사랑하고, 가슴 뛰며 감동했던 순간들이. 바로 이들과 함께 말이죠. 여러분 마음 속 올해의 작품은 무엇인가요?

 

#넷플결산 #yearinreview #넷플릭스 #Netflix

 

 

2020 will be remembered as a harder and gloomy year for all of us, but
It was clearly in the midst of that. I laughed, cried, and I was nervous. The moments where I loved,  and thrilled. With them. What is this year's work in your mind?

 

https://www.instagram.com/p/CImDvapJE6L/

 

Photo by Netflix Korea on December 09, 2020. La imagen puede contener: texto que dice "2020년 우리를 우리를가슴뛰게한 가슴 뛰게 넷플릭스 작품들 >>>".

 

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mamarawo  moonchiz88 seon_baragi  yojeumhot  @Jongseo_fan dellaa.art andcom_pr_agency 

prasalaandpen

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34

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NEWS
 
Posted by olmal   6 days ago

Park Shin Hye, Kim Sun Ho, and Kim Joo Hun- 2020 was the year of S.A.L.T Entertainment

AKP STAFF
 
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2020 was the year of Park Shin Hye, Kim Sun Ho, and Kim Joo Hun, who are all under the same agency, S.A.L.T Entertainment. 

 

Looking back at the past year for the entertainment industry, '#Alive' and 'Call''s lead Park Shin Hye, 'Start-Up''s Kim Sun Ho and 'It's Okay to Not Be Okay' and 'Do Do Sol Sol La La Sol''s Kim Joo Hun particularly delivered an outstanding performance, making their names known to the public. 


Park Shin Hye who has been with the label for about 20 years since its foundation, and Kim Sun Ho and Kim Joo Hun who joined the label back in 2018, all received many compliments and supporting messages from the industry and general public this past year.

 

Stay tuned for more news regarding S.A.L.T Entertainment's celebrities.

 

 

 

allkpop.com/article/2020/12/park-shin-hye-kim-sun-ho-and-kim-joo-hun-2020-was-the-year-of-salt-entertainment

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OSEN

'Kingdom 2'→'#ALive', Leading the Popularity of Netflix K Contents This Year [Official]

Choi Lee Jung Input 2020.12.10. 08:21

 

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[OSEN=Reporter Choi Na-young]

 

Netflix, a world-renowned entertainment streaming service, has unveiled popular works by genre that have excelled Koreans during this year.

 

The most noticeable thing this year is the advancement of K-content.

 

The movie'#Alive', which continued the global K-zombie craze on Netflix, stood out in the horror category. In particular,'#Live' ranked 4th among non-English content streamed through Netflix that received the most love from other regions outside the production country. 

 

♦︎ Korea's 8 most loved works by genre in 2020

-Thriller: Kingdom Season 2

-Horror: #Alive

-Action: Old Guard

-Drama: Human Class

-Documentary: Black Pink-Light up the world

-Nonfiction: Two Hot!

-Romance: Psycho but okay

-Fantasy: Health Teacher Ahn Eun-young

 

 

♦︎ 10 non-English-speaking movies loved by other countries beyond the production country

1. The Platform (Spain)

2. Missing Bullet (France)

3. Rogue City (France)

4. #ALive (Korea)

5. Yeopmun 4: The Final (Hong Kong)

6. Kidnapped Stella (Germany)

7. Cutis (France)

8. The Crew (France)

9. Paramedic Angel (Spain)

10. Prix: One of Us (Germany) 

 

 

/nyc@osen.co.kr

[Photo] Netflix

 

LINK.  https://entertain.v.daum.net/v/20201210082104754

https://n.news.naver.com/entertain/article/109/0004323759

 

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Ms Representation: In search of the normal woman

This weekly column is a rumination on how women are portrayed in cinema, and this week the author discusses Netflix's The Call and Disney Hotstar's Mulan

 

   
Published: 08th December 2020
 
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Mainstream language tells us, ‘Men are generic, women are special.’ Men are thought to be the ‘default form of humanity’, while women are a specific subcategory. Mankind, for example, refers to all of humanity, but womankind is just women. There are several manifestations of this around us, but in cinema, there’s one in particular. It’s how when a character isn’t defined by their gender, by default, the character turns out to be male.

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The Call, a Korean supernatural thriller on Netflix, breaks this trope. It has two women play the lead, and the narrative is refreshingly devoid of sexism, or whether or not these characters bear the brunt of patriarchy. Seo-Yeon, who lives in the present, is connected to Young-Sook, who is twenty years behind in the past through a phone call. Their lives get entwined and take a dark turn after a murder. These characters could well have been male without any major difference to the story or the narrative. To have women in a seemingly androgynous narrative becomes important because it shatters our limited perception of what constitutes a ‘woman’s story’.

However, one also needs to understand that women don’t always behave like men, even in generic situations. Just flipping the gender doesn’t end in creating a good character. The accumulations of their experiences, in tandem with their identity, would give them a different set of thoughts and reactions. I loved the fact that The Call acknowledges this. Neither does it amplify stereotypes, nor does it make its women caricatures. The scars and blood co-exist in happy harmony with the nail polish. The female serial killer uses hot water and fire extinguishers as chosen weapons. And even the fights and clashes are structured in a way that makes sheer will power the core emotion, rather than brute force or strength.

Not all films document this difference in thought processes or actions, even ones that have gendered storylines in place. Take the new Mulan for example. While the animated version from 1998 had a bumbling, clumsy Mulan training hard to become a soldier, the new one has an exceptionally gifted Mulan. The story might remain the same, but the superhero treatment eradicates a relatable emotion that was omnipresent in the animated version: You don’t have to be extraordinary to do what you want. Any character should be able to do it. A normal man can become a soldier without any great merit, but when a woman becomes the same, why does she need to be extraordinary?

It doesn’t stop there though. The animated version had Mulan thinking differently, bringing solutions from a new perspective. One of the first tasks she is given is climbing a high pole with two heavy medals. She finds an ingenious solution that can be used by other people as well. However, the new film has Mulan climbing up a hill with two water buckets. It just becomes a matter of strength, with the character following an existing course of action. In the animated version, Mulan had a distinct personality. Here, she falls into line, becomes another regimented soldier, and her skills are attributed to her chi.

This isn’t to make a case against women superheroes, or women performing complex martial moves. That is important too. However, there is no need to make every woman character a superhero. We don’t always have to struggle against patriarchy and sexism in order to be a protagonist. We don’t need to be extraordinary in order for our stories to be heard. How about allowing us to just be?

 

 

https://www.cinemaexpress.com/stories/columns/2020/dec/08/msrepresentation-in-search-of-the-normal-woman-21655.html

 

@icuminpisses

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What Netflix’s Lists of Top Foreign Movies and TV Series Say About American Taste

Netflix reveals the top ten lists for non-English films and series in the U.S.; comedies and romances are out, action is very much in

The Top 10 Non-English Films on Netflix in the U.S.

1. “The Platform” (Spain): In this dystopian study of privilege, prisoners eat food off a platform that grows increasingly bare as it lowers to the inmates beneath them.

2. “Lost Bullet” (France): An ex-con tries to prove his innocence in the type of midsize action movie that used to fill theaters before tentpole pictures took over.

3. “Rogue City” (France): The police saga features bloody shootouts and bad cops in an organized crime unit. In France, where the movie is set, its title is “Bronx.”

4. “#Alive” (South Korea): A gamer quarantines himself and tries not to get killed by zombies in Seoul after a highly contagious infection makes him the lone survivor.

5. “Ip Man 4: The Finale” (Hong Kong): The martial arts series is based loosely around the story of a Wing Chun master who became Bruce Lee’s teacher.

6. “Kidnapping Stella” (Germany): The daughter of a wealthy businessman fights her captors, one of whom is an ex-boyfriend who finds out she is pregnant.

7. “Cuties” (France): A drama about an 11-year-old Senegalese immigrant in Paris who joins a girls’ dance crew. The film sparked controversy over its treatment of their sexuality.

8. “The Crew” (France): Gunfire, sex and drugs fill this action movie about skilled Parisian robbers who make a rare misstep after stealing blank passports.

9. “The Paramedic” (Spain): A man confined to a wheelchair after an ambulance accident turns on his former girlfriend, becoming vengeful and psychotic.

10. “Freaks: You’re One of Us” (Germany): A woman realizes she has superpowers and joins with others like her to investigate a government conspiracy.

 

 

https://www.wsj.com/articles/what-netflixs-lists-of-top-foreign-movies-and-tv-series-say-about-american-taste-11607562001

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Netflix Viewers Search For Love, Baking Shows Rise & Foreign-Language Drama Booms As Streamer Reveals What Was Watched In 2020

By Peter White

Peter White

Television Editor

@peterzwhite

 

December 10, 2020 8:00am

Netflix has revealed some color about its subscribers’ viewing habits during 2020.

 

Some of the most interesting data provided by Netflix as part of its What We Watched 2020 report was around the pandemic and civil unrest over the summer. In March, as Covid-19 was starting to ravage the world outside of China, viewers were searching for home baking shows with almost a 50% rise from the previous month – a boon for the likes of Nailed It! and The Great British Bake Off.

 

Finally, as Netflix continues to ramp up its international commissioning strategy, it’s clear that English-language viewers are interested in watching shows with subtitles. The Platform, Barbarians and France’s Rogue City were the most popular foreign-language shows, while it saw a big jump in Korean drama, up 100% in the U.S. with Kingdom’s second season and The King: Eternal Monarch becoming its most popular favorite K-dramas.

Money Heist: Part 4 hit the Top 10 in 92 countries, Barbarians in 91, Alive in 90, Ragnarok in 89 and Lost Bullet in 89 countries.

Netflix also highlighted its reach across social media. As you can see below with certain emojis being used to describe its biggest titles.

 

 

cr: deadline  https://deadline.com/2020/12/netflix-what-was-watched-in-2020-1234653546/

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Dec 10, 2020,11:00am EST|757 views

Netflix Allowed Us To Escape 2020 At Home In Lockdown, Here’s What The Streamer Says We Watched

 
Dana FeldmanSenior Contributor
 
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The desire to travel to new lands via entertainment wasn’t just a U.S. phenomenon. Certain shows traveled regardless where the viewer lived. Money Heist: Part 4 (Spain) hit the Top 10 in 92 countries, Barbarians (Germany) in 91, #Alive (Korea) in 90, Ragnarok (Norway) in 89 and Lost Bullet (France) in 89 countries. That’s the power of good storytelling.
 
 
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You were curious a lot? I won't say long words. Park Shin-hye, Jeon Jong-seo, and Director Lee Choong-hyun gathered in one place.

That precious <Call> came with a commentary.
For the full version, call us on Netflix Korea Youtube

 

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Bright Park Shin-hye, flowers hold flowers [★SNS]
    • Input 2020-12-09 19:35
    • Revision 2020-12-09 19:34

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[OSEN=Reporter Lim Hye-young]

 

Actor Park Shin-hye boasted more beautiful beauty than flowers.

On the 9th, Shinhye Park said, “I received flowers. What kind of shoot is it? I have a good feeling today” and posted several photos.

 

In the released photo, Park Shin-hye is smiling happily after receiving a large bouquet the size of her upper body. With a long wavy hairstyle and modest makeup, it exudes a lot of innocence, and it attracts attention by boasting a more radiant beauty than flowers so that flowers do not get into the eyes.

 

In particular, in response to Park Shin-hye's comment that she received a gift, netizens responded that they were curious about who gave Park Shin-hye a large bouquet.

 

Meanwhile, Park Shin-hye continued his busy activities by appearing in the movie'#I Live' this year and the Netflix movie'Call'.

 

 

/hylim@osen.co.kr

[Photo] Park Shin Hye SNS

 

https://www.newsen.com/news_view.php?uid=202012091419380810

http://osen.mt.co.kr/article/G1111488148

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[Drama Poster] The filming site for the poster of the drama "Sis Jeep"

profile

2/12/2020 9:42

 

 

Hello! #Studio play !

This shoot is #Drama poster shooting site!

Since the poster has not yet appeared, we will post an article on the way the filming proceeds, and when the poster comes out, we will post additional articles!

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Letting the call catering # cafes playing we've provided a place in the side!

I only prepared a place, but I put a garbage bag on my own and collected it cleanly.

Thanks so much for our one less thing to do! The shooting also seemed to go smoothly, so we felt good.

 

https://m.blog.naver.com/studio_nolda/222160273345

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