[Drama 2013] Jang Ok Jung 장옥정, 사랑에 살다

[Guest superweirdme]

YAI and KTH chemistry is awesome! The way he looks at her make me flustered. Pleaseee, I need moreeee scenes. I keep repeating their scenes whenever I felt bored.hahah. KTH, gosh. I was mesmerized by her beauty.LOL. Acting wise, she's good I think. I have no problem with her. YAI, well perfectly fit the role. Im starting to love him cos he's a COOL and handsome king .And the OST is freaking awesomeeee. Ughh epicnesss overload. Can't wait for next week.

[vaiduakhu]

@Jillia: there was a trend towards shorter jeogori at that time. Its peak was at start of 19th century. And OJ is za fashion designer anyway. Surely she followed that trend ).

[ardently]

briseis

said:

Seeing LS insist on that he's going to wear the jeogori made by JOJ for MH's birthday made me into a mushy mess. He wore it during the previous assasination attempt and survive >- so it's only natural he chose it for the next one ; - to bring him luck and to give him courage andstrength for the things he have to do. He must have balls to steel to risk such danger. BAD**S SUKJONG \m/ !!!

[Guest jjsweeter0211]

[vaiduakhu]

@briseis: why didn't SJ use the armor that OJ designed before? )

[vaiduakhu]

DC

@Jillia: at least he had that sokjeogori washed first =))

[vaiduakhu]

Courtesy to 매화꽃 @ DC KTH

[ardently]

Jillia

said: @vaiduakhu

That's what I thought too... Why isn't he for god's sake using OJ's amor instead of this cotton/linen shirt?? =)) =))

[vaiduakhu]

@Jillia: that smile makes me secretly hope their love story would have a happy ending although that's impossible.
It even reminds me of Lee San, Wind of The Palace drama.
In that drama, Lee San, Sukjong's grandchild, at least have a peaceful & happy marriage with Seong Song-yeon.
I hope the same result for LS & OJ. But it's just like dandelion seed floating in the wind .

[Guest meguri]

Hello everyone!!
Ouch.. I miss all about JOJ so much..
I recently passed my exam and nowdays I'm free...
Thanks for all who updated this drama very much, ^^

[briseis]

THE JOSEON FASHION SHOW
-THE ROYAL WEDDING & CORONATION SPECIAL EDITION PART 1
1) THE GROOMLS's attire's a myeonbok, a ceremonial robe that the Joseon king used to be worn for official occasions such as garye (a royal wedding), jaesa (paying homage to deceased ancestors), jongmyo (where the mortuary tablets were kept), the coronation, the daily morning audience, the royal ancestral rites and many others. There are 2 types of myeonbok - a gujangbok (nine symbol dress) for the king and a sibijangbok (twelve symbol dress) for the emperor. The rulers of the Joseon dynasty used to wear a gujangbok until King Gojong declared himself an emperor and started wearing a sibijangbok. Gujangbok is the king's full court dress and is so called because there are nine kinds of symbols embroidered on the dress. Embroidered on the robe are 5 yang symbols: dragons on the shoulders, mountains on the back, fire (brightness), pheasant and tiger-designed wine barrels (eternity). The mountains signify Earth, dragons and pheasants refer to the rain and clouds. Embroidered on the skirt are 4 ying symbols: millet, rice grains (feeding the people), axes (decisiveness) and fire (brightness). The dress made of silk fabrics is reddish black outside and purple inside. The length of the robe is so designed as not to hide the  symbols on the skirt which is also made of rosy pink silk. Husu refers to the tasseled rear trimmings of the skirt. They are again made of silk, embroidered with red flowers, and two gold rings hang on the tassels. The tassels are colored in six colors: yellow, while, red, reddish black, orange, and green, symbolizing four directions or four seasons.
Pyeseul,a red  kneepad trimmed with black silk-fabric patches attached to the waist belt, but nowadays is sewn to the skirt.

The inner garment (here almost invisible), known as jungdan, is white in color and lined with blue fabrics on the hems.  Daedae is the red and white waistband used to tie the skirt. The waist belt, hyeokdae, is ornamented with jade on the front, but not on the back. There are a pair of jade plates called pae, hung from hyeokdae and paeok (jade accessories) on both sides of their waist, that made cheerful sounds when the King walked. His head is covered with a myeonryugwan, a crown designed specifically for the gujangbok with nine jade-beaded, nine-inch-long strings hang each from the front and the back, with the beads colored in the order of yellow, black, white, red and blue. A golden hairpin is used to set the mortarboard-shaped headpiece firmly on the head, with two purple strings hanging from each side to be knotted under the chin.The two strings also help the hairpin fixed stable. The number of jade-beaded strings show the status of the bearer: 12 for the emperor, 9 for the king, and 8 for the crown prince. 
A pair of red mal (lined socks) covers his feet  together with seok aka the red ceremonial shoes. Both were used specifically for ritual and ceremonial purposes.The object that is held by LS, IK and all the officials is a gyu, a rectangular tablet with a pointed end, which was an emblem of office that was held upright with both hands in front of the chest.e. For kings and crown princes, gyu is made of blue jade, 9 inches long. 

Myeonboks and their essential parts:

The crown The robe JungdanHusuPyeseul The socks and shoes 

------------------------------------------------------------------------Coming up next: THE ROYAL WEDDING SPECIAL EDITION PART 2Previous editions: 

JOJ EDITION PART1http://forums.soompi.com/discussion/comment/25850060/#Comment_25850060JOJ EDITION PART 2 http://forums.soompi.com/discussion/comment/25852587LEE SOON EDITION PART 1http://forums.soompi.com/discussion/comment/25854875/#Comment_25854875
JOJ EDITION PART 3http://forums.soompi.com/discussion/comment/25866603/#Comment_25866603

Sources:

Blog Naver, SBS official website, google images, http://www.han-style.com/english/hanbok/royal.jsp,http://www.jongmyo.net/sub/clothes/eng_clo_jeonha.asp, thetalkingcupboard.wordpress.com, http://eng.expo2012.kr, Baidu forums, wikipedia, http://www.kook-hyang.com/, https://commons.wikimedia.org/wiki/File:Korea-Seoul-Royal_wedding_ceremony_1334-06.JPG, http://www.hancinema.net

[Guest meguri]

irenns said: NEWMARIO said:

cr: as labeled

[Guest meguri]

meguri said: irenns said: NEWMARIO said:

cr: as labeled

[Guest meguri]

vaiduakhu said:

Courtesy to 매화꽃 @ DC KTH

[Lilona]

OMG! This kdrama is so SOOO good! I never expected that it will be so awesome! And Kim Tae Hee! I don't know who (maybe Rain? xD) did whatever to her, but she's just perfect in this role! Voice, eyes, acting-it's all perfect, where is our beautiful robot?! She alive in this role! I cried on the end of 5 ep. Because i almost can touch sad and tearful tension between her and Ah In! It was sooo sooo good!

[briseis]

@irenns, @vaiduakhu, @Jillia: I've found a comprehensive article about the palace women aka the gungnyeo which is the position that JOJ obtained when she entered the Palace. It's really great and explains how the gungnyeo lived beginning from their origin, what they wore or how they were paid  >- . I just adjusted and edited it a little 

Gungnyeo (literally "palace women")^[1] is a Korean term referring to women waiting on the king and other royalty in traditional Korean society. It is short for "gungjung yeogwan", which translates as "a lady officer of the royal court".^[2] Gungnyeo includes sanggung (palace matron)^[3] and nain (assistant court ladies), both of which hold rank as officers. The term is also used more broadly to encompass women in a lower class without a rank such as musuri (lowest maids in charge of odd chores), gaksimi, sonnim, uinyeo (female physicians) as well as nain and sanggung.^[4][5]

Establishment

Although the first record of gungnyeo appears in Goryeosa, a compilation on the history of Goryeo, a provision was first made in 1392 byKing Taejo per Jo Jun (趙浚) and other officers' suggestions after the establishment of the Joseon Dynasty. In 1428 Sejong the Great set up a detailed system regulating gungnyeo, in which female officers were divided into naegwan (internal offices, concerned with the royal court)^[6] and gunggwan (palace officers), and defined their ranks, titles, and social status. He further institutionalized the system, with revisions, in the Gyeongguk daejeon (Complete Code of Laws).^[5]

The gungnyeo were not clearly defined during the Goryeo period, and it is not known how they came to serve the court and what procedures applied to them. The use of the term during that period is therefore assumed to refer to all women in the king's service in the court. In documents related to Goryeo, the social status of gungnyeo was generally commoner or lower class, such as the daughters of slaves, concubines, or cheonmin (the despised). In the 22nd year of King Uijong gungnyeo roles were divided into sanggung (尙宮, managing the palace), sangchim (尙寢, managing bedding), sangsik (尙食 managing food), and another type of sangchim (尙針, managing sewing). Female musicians called yeoak were also a part of the gungnyeo.^[5]

During the Joseon Dynasty, court life was centered on the King, so many court women were necessary. They were assigned to the Daejeon (大殿; the Great Hall^[7]), Naejeon (內殿, private inner royal hall^[8]), the Daebijeon (the Queen dowager's quarter), or the Sejajeon(the crown prince's quarter) of the palace.^[5]

Election and education

The appointment of gungnyeo usually occurred one year in ten, but there were exceptions; the method of appointing gungnyeo and their social status differed from time to time, so the process was not systematized. In general, gungnyeo were chosen from among female slaves who belonged to the governing class rather than from daughters of the sangmin (common people in rank). However, if circumstances allowed, people around the king wanted to pick gungnyeo from commoners' children, using a custom of early marriage in households that had a daughter over ten years old. As a result, since King Gyeongjong's reign, daughters from the lower class were prohibited to be appointed as gungnyeo. According to the Sokdaejeon (Supplement to the National Code), some female slaves of each government office were chosen to become gungnyeo since the reign of King Yeongjo.

While this restriction on class applied to "common gungnyeo", the appointment of those in important roles, closely waiting on the king and queen, such as jimil nain, was different. The standard for choosing jimil nain was so high that sanggung tended to go out recruiting candidates through personal connections and by family custom. There were many gungnyeo in service who recommended their relatives for the position. The social status of the gungnyeo who were assigned to jimil, chimbang (the sewing department),and subang (the embroidery department) came from the jungin class (literally "middle class"); the others mostly came from "commoner's class". Commongungnyeo entered the palace at the age of twelve to thirteen, whereas jimil nain entered there at the age of four to eight, and nain for the sewing and embroidery departments began to serve the court at six to thirteen.

Such "trainee gungnyeo" received the necessary education to become gungnyeo, such as learning court language, required daily conducts and behaviors, and writing gungche (palace-style font). Some gungnyeo left refined calligraphy works written in hangul (the Korean alphabet) with the gungche or Gyechuk ilgi (Diary of the Year Gyechuk, 1613^[9]) and Inhyeon wanghujeon (Tales of Queen Inhyeon), all of which are regarded as excellent examples of the "palace literature".^[5][10]

The types of gungnyeo

In the narrow meaning

Gungnyeo always distinguished themselves from the sanggung and nain because the role and social status of the groups were greatly different. The latter groups can be divided into three types; trainee nain, nain, and sanggung. They were treated differently according experience and length of service at court and in affiliated departments. Even the sanggung group was divided by rank according to their experience, and sanggung with the same rank did not always have the same social standing. Trainee nain referred to young girls who had not yet passed the gwallye (冠禮, a coming-of-age ceremony) and they were divided into saenggaksi and gaksi. The term, saenggaksiderives from that fact that the girls had a hairstyle called saengmeori. Only three departments, jimil, chimbang, and subang had thesaenggaksi. After fifteen years service in the palace the trainee nain became an official nain. Nain wore a jade-colored dangui (a variety ofjeogori, a short jacket) and a navy blue chima (a bulky skirt) and decorated their head with a frog-shaped cheopji (a hairpin).^[4]

In the broad meaning

Gaksimi is a generic term collectively referring to a housemaid, kitchen-maid, seamstress or others working at a sanggung's private residence on sanggung's days off. Their monthly salary was paid by the state, so they were also called "bangja". The term bangja means a clerk working at a government office and is the same as the male character called bangja who appears in Chunhyangjeon (Story of Chunhyang).^[4] Musuri refers to women in charge of miscellaneous jobs (such as drawing water, making a fire, etc.) at every residence at court.^[4]

Sonnim is a type of housemaid who took charge of housekeeping at the king's concubine's residence. They were generally related to the concubine's family, and their salary was paid from the concubine's living expenses. The term means a person from outside of the palace and is a courtesy title, unlike musuri and gaksimi.^[4]

Uinyeo literally means "medicine women" and they usually treated gungnyeo with acupuncture and acted as midwife when the king's consort or concubine gave birth. Whenever a feast was held at court they transformed themselves into gisaeng (female entertainers). For such occasions, they wore wonsam (a female ceremonial garment), hwagwan (an elaborate coronet) on their head and colorfully stripedhansam (fabric extensions on the sleeves of the costume)^[11][12][13] on their hands just like dancers, so they were also called yakbang gisaeng and consequently yakbang is another name for naeuiwon (royal health clinic). Although uinyeo's affiliation was to the naeuiwon, their predecessors were gisaeng. The uinyeo system was originally established during King Taejong's reign because sick consorts, concubines and gungnyeo preferred to die rather than to be seen by a male doctor, due to the strict naeoebeop (sex segregation), based on Confucianism, at that time. Young slave girls who belonged to storage or government offices were therefore chosen to train in medical practices such as pulse-checking, acupuncture and others. Because they were originally uneducated cheonmin (the despised), the uinyeo system was not very fruitful. During King Yeonsangun's reign, whenever a feast was held at each government office, uinyeo were told to participate in it as gisaeng with makeup. The system lasted until the end of the dynasty and the number of uinyeo was about eighty during King Gojong's reign. The uinyeo system disappeared when western doctors entered the court.^[4]

Gungnyeo's roles

Gungnyeo can be described as a type of luxurious slaves for royal private life, needed in departments in charge of clothing, cooking and housing among others. Such places were jimil ("the innermost quarter", waiting closely on royalty), chimbang (the sewing department),subang (the embroidery department), two sojubang; naesojobang and oesojubang, one for preparing daily meals, another for preparing food for banquets, saenggwabang (the dessert department), and sedapbang (the laundry department).^[14]

In addition to those seven departments, four other departments existed: sesugan (洗手間, the department in charge of the king and queen's washing and bathing^[15]), toeseongan (退膳間; a food arrangement room^[2]), bogicheo (僕伊處, the department for making fires^[16]), deungchokbang (燈燭房 the department for lanterns and candlelight^[17]).

In terms of a more common individual's household jimil nain, who had the highest standing in gungnyeo society, acted like a personal maid to the mistress. Nain (assistant court ladies) at chimbang, and subang were like seamstresses while nain at sojubang andsaenggwabang were like kitchen-maids. Sedapbang managed the laundry; in common families, female slaves generally did the cleaning, while experienced housewives ironed and smoothed laundry by pounding. Jimil nain had the highest social status while nain at chimbang, and subang were next in status. They could wear a chima (a bulky skirt) in the way which yangban women did, and were allowed as a privilege to let it down long without wearing an apron. Since they worked on a floor or in a room, these nain did not need to fold up their skirt, unlike nain at sojubang, and sedapbang. Nain at the other departments rolled up their skirt with an apron. Likewise, only the former three departments could have saenggaksi (생각시, young nain with a hairstyle called "saeng" or "sayang"), while young nain at the others could not bind their hair with saeng but had to let it down in long braids.^[4]

Gungnyeo's rank

Gungnyeo society had supervisors who acted as the head of the gungnyeo group, and sanggung who received special treatment according to the importance of their job. Jejo sanggung (提調尙宮), also called Keunbang sanggung were senior among gungnyeo and received the king's orders and managed properties in the queen's quarter. They exercised political power at the time. Bujejo sanggung also called Arigo sanggung (阿里庫) took charge of items in stores attached to the queen's quarter. Jimil sanggung also called Daeryeong sanggung waited closely on the king. Bomo sanggung took charge of nursing princes or princesses, and among them those who served the crown prince had the highest standing among the group. Sinyeo sanggung were in charge of assisting the king, queen and queen dowager whenever a national ceremony or feast occurred. They also managed books and documents of the Jimil sanggung and did gokeup (mourning and crying loudly). Gamchal sanggung gave rewards or punishments to relevant gungnyeo, acting as a supervisors, and were held in awe by other gungnyeo. Some gungnyeo who were favoured by the king could take political power and improve their rank.^[4]

Palace ladies were subordinated to the queen, and were ranked below the Royal Noble Consorts (ne-gwan 내관).

There were 5 ranks for palace ladies with two level each.

5a. Royal concubine (sang-gung 상궁) was a special palace lady who already had sexual relationship with the king. The appointment decree was issued by the queen.

5b. First Palace Lady (leading the Royal/Queen's Secretariat): Sang-bok (상복) and Sang-shik (상식)

6a. Chief Palace Lady (e.g. leading the royal kitchen): Sang-chim (상침) and Sang-kong (상공) 6b. Sang-chong (상정) and Sang-gi (상기)

7a. Leading Palace Lady (being charge of a specific activity): Chon-bin (전빈), Chon-ui (전의) and Chon-son (전선) 7b. Chon-sol (전설), Chon-che (전제) and Chon-on (전언)

8a. Chon-chan (전찬), Chon-shik (전식) and Chon-yak (전약) 8b. Chon-dung (전등), Chon-che (전채) and Chon-cong (전정)

9a. Chu-gung (주궁), Chu-sang (주상) and Chu-gak (주각) 9b. Chu-byon-chi (주변치), Chu-chi (주치), Chu-oo (주우) and Chu-byon-gung (주변궁)

The palace ladies were followed by lower rank ladies-in-waiting (e.g. palace lady candidates), servants and slaves.

The number of gungnyeo

The total number of gungnyeo included not only gungnyeo at the main palace where the king resided but also at Jesagung, palaces forjesa, (ancestor veneration) and Byeolgung, (annexed palaces). Gungnyeo who worked within the main palace despised those who worked in annexed palaces, calling them gunggeot (the one at the palace). In the main palace, the king's quarter was managed as an independent household, and all of the king, queen, queen dowager's quarters had the same number of gungnyeo. It has been suggested that gungnyeonumbered 90 in total. Each of these residences would have twenty to twenty seven jimil nain and the other places would have fifteen to twenty.^[4]

The total number differed from time and was increased or decreased depending on circumstances at court. While the number of gungnyeoin the early period of the Joseon Dynasty was not great, it tended to increase as time went by. During King Seongjong's reign (1469–1494), 105 gungnyeo in total served the palace, with 29 for the mother of the previous king, 27 for the queen dowager's quarter and 49 for the king's quarter. During the reign of King Gojong (1863–1907), the total number of gungnyeo reached 480; 100 for the king's quarter, 100 for the queen dowager's quarter, 100 for the queen, 60 for the crown prince, 40 for the consort of the heir apparent, 50 for the seson, the son of the prince successor, and 30 for the wife of the seson.^[5]

Lifetime employment and payment

All gungnyeo within the palace were basically tied for life, from their acceptance into the palace until the time at which they had to leave. Once they entered service they had to live inside the palace for their whole life, except for special occasions. Apart from the king and his immediate household nobody, even his concubine, could die in the royal court, so when gungnyeo became old or ill, they had to leave the palace. There were other reasons to release gungnyeo from the palace, such as when their superior or master was ill, or when a drought happened, a certain number of gungnyeo were released in appeasement of the natural calamity. In the latter case, such releasedgungnyeo were restricted in their actions, prohibited from marrying, and would be harshly punished if they violated these rules.Thus gungnyeo lived completely isolated from outside life, and were not allowed to contact men, or even other women, except by release from service. The life of gungnyeo is depicted in an ancient novel titled Unyeongjeon (雲英傳) written by an anonymous writer during the Joseon Dynasty.^[5]

Gungnyeo received a graded monthly salary according to rank and living necessities as their payment, but the price was not fixed. It varied according to economic circumstances at that time. Service was assumed to be on a day-shift basis.^[5]

Source: http://en.academic.ru/dic.nsf/enwiki/11789603

[RanP]

Interesting.. in the bts stills, OJ has many scenes with CS outside of the palace, is it just flashback? or would she leave the palace somehow? and CS really needs to power up his game. Even if he becomes the most wealthy merchant through out the series, he can't take OJ away as long as she's still in the palace. What he's gonna do? I certainly hope he doesn't side with the 'bad' guys, there're just too many already. The writer must have a purpose introducing this character, i can't wait.

[junkietiger14]

vaiduakhu said: <snip>
It even reminds me of Lee San, Wind of The Palace drama.
In that drama, Lee San, Sukjong's grandchild, at least have a peaceful & happy marriage with Seong Song-yeon.
I hope the same result for LS & OJ. But it's just like dandelion seed floating in the wind .

[briseis]

A set of gifs from episodes 5&6  :x :Source:http://oniyu.tumblr.com/post/48848499859/what-do-you-think-is-the-deepest-thing-in-the

[briseis]

So someone's already catched on the fact that now the complete SKKS F3's been cast as kings of Joseon, trust me or not by the same TV station SBS @-) ,and decided to make a funny mash-up MV  . Let me introduce Lee Gak, Sejong and Sukjong and their collaboration: