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From Rotten Tomatoes. 

 

Staying steady streaming wise. 

 

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A wonderful article from topclass.chosun.com

 

Song Hye-kyo's restored glory, The Glory

 

Actor Song Hye-kyo, not a celebrity

Song Hye-kyo was a brand at some point . The fact that Song Hye-kyo was cast made me guess the scale of the drama, and it became a hot topic just because she was chosen . The role in the drama and the real him sometimes overlap to create certain stories, and those stories that go back and forth between scandals and rumors  once again elevate him to an unapproachable level . He and his drama came together like hyperrealism , like one body .

 

How dazzling were the roles he played so far ? A doctor in the wasteland (Descendants of the Sun) , a hotel manager (boyfriend) , a fashion designer (now breaking up)  … His characters were people who had both honor and wealth . Song Hye-kyo was a perfect fit for this role, and her unchanging presence was a hot topic every time .

In this work < The Glory > , Song Hye-kyo starts with everything lost . None of the films he has accumulated so far do not come into contact with each other . But that very point reveals how much we underestimated him . In the play, his body is broken and his soul is broken . Dong-eun, who suffered school violence, has already lived through the rubella world with her whole body . Unlike the people surrounding him who were escorting him to protect him , Dong-eun now has only Song Hye-kyo . Dong-eun worked in a factory, passed her GED, and took private lessons to become an adult . In his 10s , 20s and 30s , he ran towards only one person . He built the house meticulously, as if quietly placing black and white stones, in order to compete with the person who made him who he is today . in that house 'Song Hye-kyo, who suggests, let 's slowly wither and die together, is calm . He doesn't laugh or cry, but he evokes a lot of emotions without using any emotions .

That's why Song Hye-kyo , so pale and skinny , without blood and water, shines for a long time . Without her external device, without the halo of her name Song Hye-kyo, she just shines as Moon Dong-eun . He is in control of every moment in the work and understands every scene . All of his words and facial expressions are the message of the work. In order to show a new face in a new genre in her 40s , Song Hye-kyo chose not to add anything, but to empty everything . Meeting a person who lost everything, Song Hye-kyo is learning more than ever . He is a non-star actor . An actor who is not a celebrity .

 

Song Hye-kyo is subtly different each time she meets one of the five perpetrators . When you meet Yeonjin and Jaejun, who were the number one factors, the tension is the highest and the level of immersion is high . When he meets Sarah, the second -in-command , Dong-eun finds some composure .

Writer Kim Eun-sook 's penmanship has already been proven in < Goblin > and < Mr . Gong Yoo 's Kim Shin-Ina and Lee Byung-Hun's Choi Yu-Jin were brilliant and lonely . Song Hye-kyo's Moon Dong-eun is not trying to be a hero . It's just trying to sink together . When he, who has already lived in hell, invites the perpetrators to his own hell, there is not the pleasure of revenge, but a certain dignity . In the past, the parties to the school violence did it without even knowing what they were doing, and they don't know it now, but Song Hye-kyo knew then and still knows . On the way to knowing that, the dignity he lost blooms .

Some hatred is like longing, Song Hye-kyo says . So, when he writes an 18 -year-long letter to his assailant, Yeon-jin, there is a certain lyricism in it . Yeon-jin, who knows nothing, is just angry, but Dong-eun , who knows everything, is just sad . He already knows that there is no glory in this process .

 

Some works so far have taken advantage of Song Hye-kyo's popularity, and Song Hye- kyo has also used him to become more famous . Song Hye-kyo, who no longer has to be famous, is now just a work of art . The male protagonist surrounding him ' falls in love with him without context and devotes himself to him ' was repeated this time as well, but that may be Song Hye-kyo's fate that can only be probable .

Anyway, Song Hye-kyo lost everything , so she got it . She is not a celebrity or a star, but an actress and artist .

출처 : 톱클래스(http://topclass.chosun.com)

 

Morgan Freeman Applause GIF by The Academy Awards

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Trending #1 article on naver. 

 

 

Song Hye-kyo's unfamiliar face, revealed as a revenge play, is surprising everyone. Through Netflix's 'The Glory', she showed off a different acting from her previous ones. Song Hye-kyo's acting, which caused a heavy wave, planted persuasive power in the development of 'The Glory'.

'The Glory', which was released on the 30th of last month, depicts a revenge play elaborately prepared by Moon Dong-eun (Song Hye-kyo), who suffered school violence as a child, risking her entire life. 'The Glory' recorded 25.41 million viewing hours within 3 days of its release, rising to No. 3 in the global TOP 10 TV (non-English) category on Netflix. In the Netflix Global Top 10 TV (non-English) category, it was listed in the TOP 10 list in 19 countries, including Korea, Indonesia, Malaysia, Kuwait, Singapore, Morocco, and Hong Kong.

 

Song Hye-kyo has been prominent in melodramas. In the 2000s, the dramas 'Autumn in My Heart', 'All In', 'Full House', and in the 2010s, 'Descendants of the Sun', 'Boyfriend', and 'We're Breaking Up' are considered Song Hye-kyo's representative works. Song Hye-kyo's melodic acting, such as her melancholy eyes and classic atmosphere, has both liveliness and lyricism.

As such, her Song Hye-kyo specialized in her melodrama genre, but had hidden talents in other genres as well. Song Hye-kyo has shown a colorful acting spectrum before, but what the public realized was that it was too late when 'The Glory' was released. We looked at her works that were like Song Hye-kyo's acting inflection point.

 

'The World They Live In' is a work that depicts the lives and love of people in the drama production department of a broadcasting company and the people around them. Song Hye-kyo played Joo Joon-young, a rookie drama producer who is attracting attention in the broadcasting industry. She meets Jeong Ji-oh (played by Hyun Bin), whom she dated during college, at the same drama department, but when Joo Jun-young applies for a production directed by Jeong Ji-oh, she encounters friction.

Jeong Ji-oh and Joo Jun-yeong, a kind of company romance, the basic frame is a melodrama, but it contains considerations about life. Song Hye-kyo, despite the difficulties she had as a female producer at the time, made a drama with her convictions and showed a bold and unstoppable appearance. In the play, she showed her lovely charm by being honest with her boyfriend neither complaining nor charming. The narration that points out the meaning of her life through a moment of her daily life is also calmly and elegantly spit out. Song Hye-kyo had short hair for her boyish look, which she said at the time was followed by female viewers and she was 'failed'.

 

In 'That Winter, the Wind Blows', a man living a meaningless life after being abandoned by his parents as a child and failing in his first love meets a woman living a lonely and weary life due to her parents' divorce, separation from her brother, and sudden visual impairment. A story about finding the meaning of love. Oh Young, played by Song Hye-kyo, does not skip her sports and business studies in order not to remain her heiress in name only. Although her sudden visual impairment sometimes feels painful, she secures her own territory through her 24-hour thorough self-management. Oh-su (Jo In-seong), who needed her money, goes to visit Oh-young, claiming to be her brother who has disappeared, and Oh-young undergoes a change in her life.

'That Winter, the Wind Blows' is a work that combines thriller, reasoning, and human within romance. The breathtaking moments until Oh-su's identity is discovered provide the fun of reasoning and thriller, and the colorless life of Oh-young becomes colorful gives a sense of emotion. Her mother, who died without ever looking for her, the secretary who lied to her, and the head of her company who plotted with her secretary to marry her for her money. The image of Song Hye-kyo standing precariously in a cruel world is numb. Although she suffers from a visual impairment, Oh-Young lives as if everything can be seen with her own two eyes. Song Hye-kyo, who tries not to show her flaws to others and treats her strangers more coldly, stirs up a sad wind in her heart.

 

'The Glory' is the story of a victim of school violence, Moon Dong-eun, who has been preparing for a long time to get revenge on the perpetrators. Mun Dong-eun, who tried to make an extreme choice after being victimized by school violence, dreams of facing the leader of the school violence, Park Yeon-jin (Lim Ji-yeon) again, becomes an elementary school teacher and becomes Park Yeon-jin's daughter's homeroom teacher. In the meantime, he chokes the breath of each person, starting with the participants in the school violence.

There is also a melodrama line in 'The Glory'. Joo Yeo-jeong (Lee Do-hyeon), who had strange feelings for Moon Dong-eun, decides to become an accomplice. But it is secondary. It is Song Hye-kyo's revenge play.

Song Hye-kyo's acting is cool and solid. She feels sorry for Song Hye-kyo, who seems to be gnawing away at her revenge, but on the other hand, she is thrilled to see her stabbing a merciless 'blade' at her assailant. Song Hye-kyo's revenge, which calmly drives the perpetrators to destruction at the end, is 'elegant'. His terrible vengeful spirit hidden behind 'fake laughter' makes viewers sad.
 

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